A surreal, abstract impressionist vision of Mont Saint-Michel, as if captured on an early Kodak film photograph but melting into a dreamlike tapestry of swirling brushstrokes and fluid motion. The abbey appears to drift between reality and imagination, its spires dissolving into luminous mist, while the tide ripples with impossible reflections—gold, violet, and deep blue blending like liquid paint. The fog pulses with shifting hues, the sky twisting in unnatural spirals of soft, dreamlike light. Colors bleed into one another, forms stretch and warp, evoking a world that feels both ancient and otherworldly. The vintage film aesthetic adds faded textures, scratches, and organic vignetting, as if this surreal moment was captured on a lost, time-worn photograph. The painting flows beyond the edges, refusing to be contained, creating a hypnotic, timeless dreamscape.