CalciumPotassium
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    "Surprised expression with raised eyebrows and open mouth" Dumbass portrait. (Michael Palin:0. 3), (Roberto Benigni:0. 6). Flat color. Cartoon. inkpunk. Hoodie and t- shirt. Grotesque. novuschroma10 style, colored pencil

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    bad-picture-chill-75v, ugly, old, creepy,

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    More prompts from CalciumPotassium

    Hip hop album art. 1990's. Either stand tall or sit the fuck down, All the way from 2-1-5th to Bucktown, Brace yourself, it's about to go down, We got to blow up the spot because they must've forgot, We double (Trouble), bubblin' hot. Analog photo. Abstract. Emblematic. Artful. Tasteful. Attractive color palette. Balanced composition. Shot on Hasselblad 500CM.
    Isabela Merced, Portia Doubleday, Modern theatrical headshot of emerging actress. Avant-garde studio lighting with vibrant split gel colors, teal and amber creating dramatic face shadows. Shot against textured black background. Subject has striking features, intense gaze slightly off-camera. Minimalist makeup focusing on skin texture. Slicked back wet hair. Sharp collar bones visible. Wearing architectural black turtleneck. Experimental composition breaking standard headshot rules. Face positioned in upper third. Strong contrast. One side of face in shadow. Rembrandt lighting pattern. Catch lights creating unusual geometric shapes in eyes. Shot on Phase One medium format. Ultra sharp details in skin texture and eyes. Slight prismatic effect on highlights. Magazine quality retouching while maintaining natural imperfections. Influenced by fashion photographers Nick Knight and Paolo Roversi. Editorial style meets theatrical portrait. Hyperreal color treatment. Professional but edgy. Would suit A24 movie casting. Subtle double exposure effect. Touch of chromatic aberration. Film grain. 8k resolution. Impossibly detailed.
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Hyperrealistic cobra striking pose constructed entirely of exploding orange segments and flying peels, scales formed from detailed citrus texture, orange juice spraying like venom, dynamic motion blur. Aggressive striking position, fangs made from white orange pith, muscular coiled body in S-curve. Professional National Geographic style action photography, ultra-sharp focus on head with motion trails, dramatic rim lighting, black backdrop with subtle mist, split-second timing capture. Shot on Canon EOS R5, 1/1000 shutter speed, high-speed sync flash, award-winning nature photography, photorealistic detail, 8k resolution, extreme macro lens, commercial advertising quality. (Award winning, masterpiece, intricate details, 8k UHD, high quality), blood orange style, very dark focused flash photo, flux-style
    An instagram quality photo, flux-style: The inside of the cabin is dimly lit, the air thick with the scent of aged wood and dust. Sunlight streams weakly through the gaps in the boarded-up windows, illuminating motes of dust dancing in the air. The main room is sparsely furnished: a worn sofa sits against one wall, its fabric faded and stained. A rickety wooden table and two mismatched chairs occupy the center of the room. The walls are paneled with dark, knotty pine, giving the space a claustrophobic feel. Cobwebs cling to the corners of the ceiling, and the floorboards creak ominously underfoot. A small, antiquated kitchen area is tucked into one corner, featuring a vintage stove and a chipped porcelain sink. The countertops are stained and cluttered with remnants of previous occupants. A narrow doorway leads to what appears to be a bedroom. The door hangs slightly ajar, revealing a glimpse of a rumpled mattress and a pile of discarded clothing. The overall impression is one of neglect and disrepair, a stark contrast to the vibrant life you left behind in the city. But it is yours, and you are determined to make it a home. casting shadow style ais-webz cabin, haunted, , fog, wherehouse, hoverlook, lake, spooky, creepy, Jason, abandoned, balloon, carousel, park, school,mask, hotel, mountain, buildings, claws, fear, dread, anguish
    Prompt,"Lava Flow" Style,"Post-apocalyptic, surreal" Mood,"Intense, otherworldly" Lighting,"Fluorescent minerals casting ethereal glow, molten iron reflecting off slag" Technique,"Bold, expressive brushstrokes, dramatic color shifts" Palette,"Deep blues and purples from fluorite, fiery oranges and reds from molten iron, desaturated greys and browns for industrial scene" Composition,"Fluorite mineral cluster in center, surrounded by flowing 'lava' of molten iron, industrial scene in background, with towering smokestacks and crumbling infrastructure" fluorite mineral, flu0rite, iridiscent,
    Hip hop album art. 1990's. Street photography. Liquid Marble figures. Either stand tall or sit down, All the way from 2-1-5th to Bucktown, Brace yourself, it's about to go down, We got to blow up the spot because they must've forgot, ((We double Trouble, bubblin' hot.)) Grey palette with red details. Dynamic composition. Cool. Unusual. Striking. Hood. Gangster. Inspired by Spike lee and Annie Leibowitz.
    maggie gyllenhaal, mia goth, Modern theatrical headshot of emerging actress. Avant-garde studio lighting with vibrant split gel colors, teal and amber creating dramatic face shadows. Shot against textured black background. Subject has striking features, intense gaze, slightly off-camera. Minimalist makeup focusing on skin texture. Slicked back wet hair. Sharp collar bones visible. Wearing architectural black turtleneck. Experimental composition breaking standard headshot rules. Face positioned in upper third. Strong contrast. One side of face in shadow. Rembrandt lighting pattern. Catch lights creating unusual geometric shapes in eyes. Shot on Phase One medium format. Ultra sharp details in skin texture and eyes. Slight prismatic effect on highlights. Magazine quality retouching while maintaining natural imperfections. Influenced by fashion photographers Nick Knight and Paolo Roversi. Editorial style meets theatrical portrait. Hyperreal color treatment. Professional but edgy. Would suit A24 movie casting. Subtle double exposure effect. Touch of chromatic aberration. Film grain. 8k resolution. Impossibly detailed.
    An instagram quality photo, flux-style: The inside of the cabin is dimly lit, the air thick with the scent of aged wood and dust. Sunlight streams weakly through the gaps in the boarded-up windows, illuminating motes of dust dancing in the air. The main room is sparsely furnished: a worn sofa sits against one wall, its fabric faded and stained. A rickety wooden table and two mismatched chairs occupy the center of the room. The walls are paneled with dark, knotty pine, giving the space a claustrophobic feel. Cobwebs cling to the corners of the ceiling, and the floorboards creak ominously underfoot. A small, antiquated kitchen area is tucked into one corner, featuring a vintage stove and a chipped porcelain sink. The countertops are stained and cluttered with remnants of previous occupants. A narrow doorway leads to what appears to be a bedroom. The door hangs slightly ajar, revealing a glimpse of a rumpled mattress and a pile of discarded clothing. The overall impression is one of neglect and disrepair, a stark contrast to the vibrant life you left behind in the city. But it is yours, and you are determined to make it a home. casting shadow style ais-webz
    Facial Features: Angular face with high cheekbones, large almond-shaped eyes, and full lips. Looks very similar to the actress, Kim Novak. Height: 1.75 meters tall Hair: Blonde, shoulder-length, and styled in loose waves. Outfit: Effortlessly chic with a bohemian twist. Eyes: Deep-set and steel blue. Physique: Slim with a petite figure, Has a small tattoo of a butterfly on her left ankle. (shot by Demarchelier:1.7)
    Hip hop album art. 1990's. Either stand tall or sit the fuck down, All the way from 2-1-5th to Bucktown, Brace yourself, it's about to go down, We got to blow up the spot because they must've forgot, We double (Trouble), bubblin' hot. Analog photo. Abstract. Emblematic. Artful. Tasteful. Attractive color palette. Balanced composition. Shot on Hasselblad 500CM.
    A surreal and whimsical portrait of Albert Einstein, crafted entirely out of meticulously arranged grapes of various hues—deep purples, rich emerald greens, and pale yellows. Each grape is carefully placed to define his iconic wild hair, bushy mustache, and thoughtful expression, the shading achieved through the delicate contrast of grape tones and glossy textures. The backdrop is a soft, gradient wash of muted colors, highlighting the intricate detail of the grape mosaic that brings Einstein’s likeness to life. The scene feels both playful and artistic, merging scientific genius with the unexpected charm of nature’s simplest fruit, capturing an elegant yet eccentric representation of one of history’s greatest minds. Perfectly blending surrealism, creativity, and humor.
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    A photo Luce Doe, a 25 year old woman. Short boyish hair, black hair. Posing in the studio. Soft studio lighting. Detailed, emotional face. (detailed skin, pores, sweat, rosacea, blemishes, acne, freckles, imperfections, tan (moles-)), detailed eyes, style of Caravaggio. Hasselblad, Kodak Ektar 100
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. DOF. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Hip hop album art. 1990's. Either stand tall or sit the fuck down, All the way from 2-1-5th to Bucktown, Brace yourself, it's about to go down, We got to blow up the spot because they must've forgot, We double (Trouble), bubblin' hot. Analog photo. Abstract. Emblematic. Artful. Tasteful. Attractive color palette. Balanced composition. Shot on Hasselblad 500CM.
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Hip hop album art. 1990's. Either stand tall or sit the fuck down, All the way from 2-1-5th to Bucktown, Brace yourself, it's about to go down, We got to blow up the spot because they must've forgot, We double (Trouble), bubblin' hot. Analog photo. Abstract. Emblematic. Artful. Tasteful. Attractive color palette. Balanced composition. Shot on Hasselblad 500CM.
    A photo Luce Doe, a 25 year old woman. Short boyish hair, black hair. Posing in the studio. Soft studio lighting. Detailed, emotional face. (detailed skin, pores, sweat, rosacea, blemishes, acne, freckles, imperfections, tan (moles-)), detailed eyes, style of Caravaggio. Hasselblad, Kodak Ektar 100
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
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