ExCivitan
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    Movie posterstyle photograph, (( Background: The background is a blue sky with some light, wispy clouds. )) ((Central Image: Dominating the upper two- thirds of the poster is a photograph of a giant flying Hamburger. The flying hamburger is very high above the scenery, (includes bun, lettuce, meat, cheese), and appears slightly tilted to the right)) ((Foreground: The foreground at the bottom of the poster is a slightly blurred image of green, leafy treetops. )) << BREAK >>, Text: The words "I WANT TO EAT" are seen legibly primted in bold, white, capital letters. The text is centered at the bottom of the poster, just above the treetops. The font used is sans- serif and the letters are evenly spaced)) [ ((double negatives) (/ low opacity overlays)), 16k, uhd, (( full- length) (/full body) photograph)), (sci- fi and food), (extremely detailed), (very detailed background), ( realisticvision- negative- embedding ), ]

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    nsfw, painting, drawing, sketch, illustration, cgi style, airbrushed

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    In the shadowy village where darkness reigns, Houses loom tall, with eerie remains. Gothic facades, with windows aglow, Whispers of phantoms, in the eerie glow. Each house tells a tale of terror and woe, With creaking floors, and ghosts that flow. But amidst the horror, one house stands plain, A normal facade, devoid of strain. Its windows shuttered, its doors closed tight, But within its walls, a chilling sight. For behind closed doors, a darkness dwells, A horror unseen, in the depths it compels. While ghosts haunt the streets, with mournful cries, The true terror lurks, behind human eyes. For in the house that seems so mundane, Lies the heart of darkness, a soul in pain. So beware the normal, in a village of fear, For the true horror lies, where the humans leer. In a world of ghosts, it's the humans who scare, In the house that seems, like it doesn't care. gritty , themes of unsettling contrast in a community, cinematic, unexpected psychological twist, surrealist, echo image, sidelit, cinematic photograph, noise offset, <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    detailed personification of directionless-existential-drift, very detailed background
    perfect colour photograph of [a gloomy town with (Victorian-inspired architecture), (cobblestone streets), (ornate lampposts), (ivy-covered buildings create an eerie yet enchanting atmosphere), (obsidian towers in the distance) , (people in sleek goth clothing with intricate silver jewelry and goth makeup), ((macabre art), and (Tim Burton inspired graffiti) adorns the walls)), (Quirky boutiques and storefronts selling occult-themed items), (avant-garde cafes), (cinemas playing vampire films)], BREAK, Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    ((1Woman Ichigo Kurosaki with bankai!)) Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
    , 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((bottom lit/)/(underlighting)), full body, large view, ((Dorothy Gale) is seen (standing inside a glowing sigil) , (she is summonimg a horde of horrifying evil demons)) [horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    POV: Strong fisheye-lens photograph (intense fisheye-view photograph), of an icecream shop during The Purge! , :BREAK: , ((Themes of vintage 1950's icecream shop contrasted by themes of James DeMonaco's dystopian political thriller The Purge)) (( fisheye photograph includes blood splatters, the word "Purge" clearly seen, experimental low upward looking angles, cinematic, perfect composition, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism ))
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal horrifying shadow spectre) (is hovering, levitating, flying high) (menacingly , terrifyingly, up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    [Very high angled, downward looking, aerial photograph], ((a subterranean is seen as a surreal labyrinth of interconnected, undulating tunnels and chambers), (walls are intricately sculpted from smooth, reddish-brown rock, with surfaces resembling melting wax or giving the village an organic appearance), (central to the village is a large, circular plaza illuminated by a series of bioluminescent crystals embedded in the ceiling, casting an ethereal, multicolored glow over everything), (surrounding the plaza are homes carved directly into the rock, each with rounded, bulbous shapes and windows of varying, irregular shapes and sizes), (staircases and ramps twist and turn in impossible directions, leading to higher or lower levels within the village), (pillars support cavern ceilings adorned with intricate, swirling patterns), (aqueducts run along the walls, carrying water that cascades into small fountains and pools), (hanging gardens of exotic, twisted plants dangle from the ceilings, their roots exposed and intertwined), (the village's market area features elongated stalls with curved roofs, overflowing with bizarre, otherworldly goods), (Elevated walkways made crisscross the chambers), (pathways that seem to float in mid-air) [alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background] realisticvision-negative-embedding, epiCNegative
    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>> ((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm) [ realisticvision-negative-embedding , 8k, uhd , photograph]
    Home&Garden cover photograph of ((the front yard of a suburban house, with a winding (dark stone) pathway, bordered by (low, textured walls), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom)), (a trellis draped in climbing vines creates a canopy, casting varied textures and patterns on the ground below), (in a secluded corner, a small fountain offers a gentle flow of water), (ormate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), sidelit, film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
    detailed personification of directionless-existential-drift, very detailed background
    In the twilight's shroud, where shadows dance, Lies a garden of eerie and deadly plants . Beneath the moon's pale, ghostly light, Where nightmares bloom in the dead of night. Trees twist and coil, their branches writhe, Like vipers in the deadliest hive. Their leaves, a tapestry of despair, Whisper secrets of the dark's cruel snare. Flowers of crimson, with petals like knives, Blossom where death and darkness thrives. Their scent, of poison mist, that fills the air, Luring lost souls, to their deadly care. Beneath the earth, roots twist and claw, Grasping at spirits with a silent draw. Among the graves, where whispers hiss, Echoes the sorrow of gloom's soft kiss. In the center, a fountain flows, With waters black as midnight's woes. Its streams, a mirror of the abyss, Reflecting the souls it longs to twist. In this garden, where nightmares dwell, A symphony of darkness, a haunting spell. For those who dare to roam its maze, Shall find their souls trapped in its gaze. <<BREAK>> Perfect surrealist photograph , psychologically disturbing, ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, very detailed background, Experimental lighting, horror afterimage, ((evil garden echo image)), (echo image), ((haunting multiple exposures)), (( long exposures)), ((ghastly garden phantom blur)), realisticvision-negative-embedding, epiCRealism ))
    [Very high angled, downward looking, aerial photograph], ((a subterranean is seen as a surreal labyrinth of interconnected, undulating tunnels and chambers), (walls are intricately sculpted from smooth, reddish-brown rock, with surfaces resembling melting wax or giving the village an organic appearance), (central to the village is a large, circular plaza illuminated by a series of bioluminescent crystals embedded in the ceiling, casting an ethereal, multicolored glow over everything), (surrounding the plaza are homes carved directly into the rock, each with rounded, bulbous shapes and windows of varying, irregular shapes and sizes), (staircases and ramps twist and turn in impossible directions, leading to higher or lower levels within the village), (pillars support cavern ceilings adorned with intricate, swirling patterns), (aqueducts run along the walls, carrying water that cascades into small fountains and pools), (hanging gardens of exotic, twisted plants dangle from the ceilings, their roots exposed and intertwined), (the village's market area features elongated stalls with curved roofs, overflowing with bizarre, otherworldly goods), (Elevated walkways made crisscross the chambers), (pathways that seem to float in mid-air) [alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background] realisticvision-negative-embedding, epiCNegative
    In the stillness of the land, where whispers fade to mist, A somber shadow lingers, where the lost ones gently kissed. Their names upon the wind, like petals softly tossed, In memory they linger, their absence never lost. Through the rivers' gentle flow, and the mountains' silent cry, Their spirits dance in moonlight, beneath the endless sky. Though taken from this earth, their presence still remains, In every leaf that rustles, in every gentle refrain. We honor their existence, their stories left unsaid, With solemn hearts we gather, to remember those who've fled. On this awareness day, we must vow to never rest, Until every missing sister finds her soul justice and truth caressed. , mournful after image, north american indigenous women themes, double exposure, memories in the back of her mind, memories echo image, echo image, refection, sidelit, noise offset, <lora:add-detail-xl:1> candid photography, Getty Images quality photograph, sad but warm endearing photograph contrasted by melancholy terror and regret , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
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