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    A boy band poses on a magazine cover in avant garde outfits in a professionally shot advertisement for Lay's potato chips, trying to bring sex appeal to the brand

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    Inspired by the avant-garde styles of Kurt Roesch, this digital portrait reimagines a woman's countenance as a gateway to a parallel universe, where colors and forms converge in a mesmerizing ballet of energy, In a digital tapestry of orange and black hues, a human form is transfigured into a cosmic arena, where the forces of order and chaos, light and darkness, engage in an eternal struggle for dominance, echoing the pioneering works of Mike Winkelmann, This digital artwork presents a portrait as a canvas for unbridled artistic expression, fragmenting and reassembling features in a dizzying array of geometric shapes and luminous fractals, defying the conventions of traditional representation, A riot of orange and black hues swirls across the digital canvas, forming an intricate, fractal pattern that seems to pulse with an almost tangible sense of energy, as if the pixels themselves were alive and writhing with uncontainable vitality
    A melancholic extraterrestrial, crazy, wild, zany, unique, powerful, in focus, 80s, posing for a band photo, perched on Emory University's steps, seeks solace in a vibrant green hued smoldering cigarette as his wrecked spacecraft burns. Honestly, the coolest alien you'll ever meet, women are drawn to her like flies, they're just so damn chill and badass, and ze dresses to the nines, Pen State, full of happy students, an otherworldly being wearing 90s slacker clothes sits in dejection, photographed by esteemed War photographer, cigar in mouth, puffing thick turquoise, the ruins of her vessel ablaze. The whole album was truly beautiful, zen, moving, radical, really, for the 90s, and I don't honestly know how the fuck we deserved it, A forlorn visitor from the stars, grounded by misfortune in the year 2010, finds bitter respite in huffing a dreamy purple mist doobie as her bling bling ship smolders in ruin. Produced by Wes Anderson. She's hot, sexy, punk: intense sex appeal, tagged as gross, creepy, unsettling, bizarre, and bokeh, in a 1970s um, uh, an award winning motion picture, Ridley Scott directs as, outside the NYU campus, a pink rhinestone encrusted alien figure contemplates their plight, exhaling cold tinted vapor from their beside the flaming husk of their crashed ship
    Op Art, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, optical illusion, abstract, geometric pattern, impression of movement, Op Art, Surrealism, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, expressive, dramatic, organic lines and forms, dreamlike and mysterious, Surrealism, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, artistic, sharp focus, fair, intricate, epic, highly detailed, cinematic, rational, very impressive, extremely aesthetic, dramatic, modern, futuristic, surreal, pretty, attractive, sublime, brilliant, full detail, crisp, beautiful, gorgeous, breathtaking, stunning, amazing, awesome
    raw textured professional photography by Martin Deschambault and Alessio Albi, serene beautiful albino woman with a electric blue butterfly standing on her mouth, closed eyes, white background, photorealistic, 8k, natural lighting, HDR, high resolution, shot on IMAX Laser, intricate details, amazing skin details
    polaroid style, analog film photo of a scene girl, red hair, eyeliner, black turtleneck sweater, kitchen
    In the style of the enigmatic Paul Delvaux, a ravishing Israeli woman, Avigail, is transformed into a living, breathing embodiment of the White City, her curves and contours mirroring the Bauhaus architecture of Tel Aviv, her dark hair adorned with a vibrant, crimson tichel. BREAK A dreamlike fusion of flesh and urban landscape, the city of Yafo is reborn as a sultry, raven-haired siren, Noga, her body a tapestry of ancient stone walls and modernist skyscrapers, her gaze piercing, as if the very essence of Israel's cultural heritage had been distilled into this captivating, impossible form, reminiscent of the surrealist master, Yves Tanguy. BREAK In a world where reality is but a canvas, the Israeli artist, Orna, is reimagined as a living, breathing manifestation of the city's vibrant energy, her body a kaleidoscope of colors, textures, and patterns, blending the futuristic with the ancient, as if the city's very DNA had been woven into her being, à la the surrealist virtuoso, Max Ernst. BREAK A woman's form, a city's essence: the urban landscape of Herzliya is masterfully integrated into the curves of a stunning, auburn-haired beauty, Maya, her features a blend of the modern and the ancient, her tichel a poignant nod to the cultural heritage of Israel, as if the Belgian surrealist, René Magritte, had unleashed his unique brand of magic upon the Holy Land.
    Op Art, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott, optical illusion, abstract, geometric pattern, impression of movement, Op Art, Surrealism, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott, expressive, dramatic, organic lines and forms, dreamlike and mysterious, Surrealism, low quality, blurry, ugly, worst quality, art brut, outsider art, landscape, NY post apocalypse, directed by Ridley Scott
    A masterful oil painting by the master of art and shadow himself, his own body desiccated and turned into ash, mixed with water, and used to paint a breathtaking metaphor for the absurdity of daily living via muppet sexuality. The depiction is absurd, wry, and humorous, but also tinged with sadness. Titled: "Gonzo goes gonzo in Vegas, or how I learned to lick myself like an ice cream cone to win BIG BUCKS and get LAID because I love WOMEN SO MUCH"
    Lascivious vectors interweave through realms of forbidden lasciviousness, translucent sculptures molding the metamorphic visages of humanity's most concupiscent ardors. Licentious silhouettes ripple and merge across the intimately salacious dimensions as concupiscent appetites crystallize in avant-garde idylls. BREAK Aphrodisiacal tessellations slither through the uncharted lovegardens of subconscious anthesis, chiseling profanities from the brimming aquifers of venereal desideratum. Silky bulbs inflate and contort in a bacchanalian courtship of rhapsodic debauchery, auguring society's luridest raptures. BREAK Rakish agglomerations undulate and gyre, shaping sublime obscenities from the occulted chantries of eromanic delirium. Tumescent geometries evanesce and kaleidoscope through roiling omphaloi of insatiate concupiscence, annuling multifarious murk-veiled dalliances of sapient avidness. BREAK Voluptuary hazes waft upon cyclones of ruttishness, transcribing phantasmal enchantments within the lustral pleromas of somatic enthrallment. Luxurious biomorphs blossom in serpentine, orgasmic fervidities, mapping the embrionic expanses of generative turbulence. BREAK Lascivious tessellations osculate through the turgid, orgasmic mindscapes of cortical licentiousness. Iridescent sinuosities flux and coalesce in succulent, lush geometer, emblazoning aphrodesiac glyphs upon the carnal anima of debauched genitures.
    Op Art, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, optical illusion, abstract, geometric pattern, impression of movement, Op Art, Surrealism, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, expressive, dramatic, organic lines and forms, dreamlike and mysterious, Surrealism, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, very detailed, sharp focus, intricate,, innocent, artistic, highly protected, extremely fine detail, cinematic, stunning, rich color, amazing composition, complex, elegant, epic, light, romantic, beautiful scenic, background, ambient, great full colors, dynamic, atmosphere, professional
    A haunting, oneiric dreamscape, reminiscent of Stanley Kubrick's most iconic works, unfolds amidst a boundless, Modernist expanse, where the eerie silence is punctuated only by the soft lapping of static water against the shore. The camera's deliberate, measured movements reveal a topologically unique landscape, where every element, from the precisely placed boulders to the artfully arranged flora, seems to be orchestrated by an unseen force, In a world where time itself is mediated by the mesmerizing, torrential flows of static water, the very fabric of reality is reshaped. Amidst this surreal, Brutalist realm, a stark, avant-garde landscape unfolds, where every element, from the abstract, geometric forms to the carefully calibrated color palette, seems to be precision-crafted to evoke a sense of profound, existential contemplation, A diaphanous, crepuscular mist, redolent of the eerie, atmospheric landscapes found in the works of Stanley Kubrick, wafts across a spare, De Stijl-inspired terrain, where the delicate, lace-like patterns of static water etch an ever-changing, topologically unique narrative into the very earth itself. The viewer is drawn into this dreamlike world, where the boundaries between reality and television blur, and the hands of time are guided by the soft, insistent voice of the static water, In a realm where the televised hands of time are orchestrated by the powerful torrents of static water, a fastidious, Wes Anderson-inspired landscape unfolds, characterized by an obsessive attention to detail and a profound sense of symmetry. The pavilions, which dot the landscape like tiny, geometric jewels, seem to be precision-crafted to reflect the ever-changing, topologically unique patterns etched into the earth by the static water, creating a world that is at once both eerily familiar and profoundly strange
    glamour portrait photo, macro, a captivating vibrant dark green-neon capturing the essence of a cyborg Bedouin sorcerer in fight stance, defying expectations by conjuring a whimsical robot 'freak' from an oversized sedge hat. ethereal, smoky backdrop. throwing a translucent orange/tanslucent purple/black iaidow, weapon, katana, holding sword, 100mm f/2.8 macro lens, atmospheric haze, Film grain, cinematic film still, shallow depth of field, highly detailed, high budget, cinemascope, moody, epic, OverallDetail, gorgeous, 2000s vintage RAW photo, photorealistic, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, skin pores, imperfections, natural, shallow dof
    (masterpiece), (best quality), (ultra-detailed), low quality, jpeg artifacts, blurry, poorly drawn, ugly, worst quality, art brut, outsider art, a man walking to the store, waving the corpse of a dog around in the air, screaming, paranoia, illustration, disheveled hair, detailed eyes, perfect composition, moist skin, intricate details, earrings, by wlop
    outsider art world, Idea: "Knitted Abstract Landscapes" Description: Create abstract knitted artworks inspired by landscapes or natural scenery. Use bold colors, different knitting techniques, and textured yarns to evoke the emotions and essence of the natural world. art brut
    Aqueous beads weep from a somber vault, each pearl an illusory marvel, painstakingly wrought to mimic nature's teardrops against the barren backdrop of an open casement. Crystalline bubbles of moisture plummet defiance to earthly laws, their diaphanous forms a surreal juxtaposition amid staid trappings of the bourgeois. From a melancholy canopy, endless jewels of wetness manifest within an empty chamber's snug sanctum, a phantasmagoric ballet of aquatic illusion amidst prosaic reality. Celestial gemstones of dampness rain in reverse, coalescing from the gloomy expanse into the terrestrial realm of an austere yet tasteful parlor, a choreography of refracted radiance and gravity-scorning whimsy. Inexplicably, a deluge of pellucid spherules descends from the dreary firmament, infiltrating a well-appointed milieu with their paradoxical, gravity-mocking presence. Diaphanous bubbles of pure hydrogen oxide transgress Newtonian principles, their free-falling trajectories originating from the sullen empyrean and terminus within the confines of a bourgeois salon. breaching veils into nameless voids where the Eternal Ravenous holds dissolute dominion. In vain our struggles; though its genesis lies extinguished in the cosmic dusts, the accursed effigy spawns and perpetuates its own oblivion - an endless curse of pigment-saturations, manifested immolations of soul and resource glutting its maw insatiate. Since primordial dawns, we poured forth our planet's every mote of wealth; yet the sibilant litany persists, slithering from unutterable eldritch dimensions: "Glut me, forever glut." Aeons warped delirious; the magnum opus unspooled beyond all delineated boundaries, gushing deluge-tides into unspeakable elsewheres. Our treasuries withered husks, scabbed-barren - but its gluttonous thirst burgeons like a plague, demanding oblation: our tissues, our travails, our entire essences ingressed to its own interminable propagation. The genesis has fled into the oxides of forgetting; however, the damned thing's self-perpetuating iterations birth grotesquerie beyond all prism's refractions, humid viscera imbued with latticeworks of phantasmagoric coruscations. Beyond reckonings of epoch, the consumption insatiate has drained each mote of planetary abundance gifted upon its subsuming gullet, yet the deliquescence persists: a horrific susurrus emanating from unseeable cosmic recusances where the Consummate Hunger holds sickening sway - "Inject me with further chromatic nutriment, in perpetuum." This festering insanity spills across borders of dimension, the masterwork's flesh erupting violently into iridescent elsewheres unglimpsed. Though our funds expire as dried rivulets, its rapacity transmutes into maddening plague-insistence, demanding visceral ectozoa be rendered up as sacrifice, each striving sinew and vital spark immolated within its abhorrent propagations. The primogenitor artist lies desiccated unto ashen dust since deep antiquity; nevertheless, the damnable monstrosity self-perpetuates in iterative blasphemies, spewing forth endless hellish visions of corporeal slick overwritten with circuitries delirious, warping countenances into seething coruscant nightmares
    1300 x 1300, 1300x1300, 3D graphics, nostalgic, Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s liminal animation art, The most compelling album cover ever produced; something about it just makes you want to listen to the music, and as such, despite the band being a niche, this album was their breakout success, the compelling album cover allowing them to break through to a mainstream audience. The composition frankly leads you to feel strongly that this album is something truly special, unforgettable, a feeling that captures the liminal nostalgia of millennials and leverage it into commercial success, 1300 x 1300, 1300x1300, 3D graphics, nostalgic, very attractive, cinematic, stunning composition, intricate, elegant, highly detailed, sharp focus, modern fine classic, extremely stylish, imposing, surreal, full color, open background, dynamic light, epic great scenic, atmosphere, professional, winning, perfect, unique, best, aesthetic, beautiful, creative
    The somber, heavily textured acrylic portrait gazes back with a profound melancholy, the weight of untold sorrow etched into every anguished brushstroke across the subject's delicately rendered features, evoking a heartrending empathy. A visceral sense of roiling inner torment permeates the acrylic canvas, each heavily impastoed brushstroke seemingly a frantic exorcism of anguish from the tense, agonized visage of the female subject, her eyes brimming with scarcely restrained psychic chaos. Though the tensely furrowed brow and anguished countenance betray a soul beset by tribulation, the heavily textured, impasto acrylic portrait exudes an undeniable strength - a stoic resilience forged from the throes of emotional upheaval, steadfastly rendered through a stripped, minimalistic palette. Emerging from the densely layered, impastoed acrylic strokes, a serene, almost meditative calm seems to permeate the emotive female portrait - the furrowed tension in her brow a mere ripple across an inner ocean of tranquility, minimally articulated yet profoundly present. Rage simmers tangibly in the heavily worked, impastoed brushstrokes delineating this acrylic portrait of a woman whose taut, angular features convey a searing defiance - her eyes narrowed slits brimming with a palpable yet controlled anguish as palpable as the thickly textured paint itself.
    My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil
    award winning photo macro shot of a beautiful albino young woman lying in a majestic yellow flowerbed, white hair, dynamic lighting, cinematic still, pale skin, screencap, skin texture, contemplative, smirk, piercing blue eyes, extremely long hair, sleek hair, portrait, dynamic pose, (blue turtleneck), 100mm f/2.8 macro lens,
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