AI_Absurdity
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    diagram abstract geometric forms iridescent digital landscape with lenticular clouds glitch rainbows sunset in a background of holographic paper with a diagram pixel art landscape rainbow and pixel clouds planets, octane render, screens, view, collage, doble exposure, wireframe, literature, vector art, magazine, nintendo 64, tomokazu matsuyama, petra cortright, v 4

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    More prompts from AI_Absurdity

    A bearded dragon! Bearded dragons (Pogona vitticeps) are a type of lizard that's native to Australia. They're also known as "beardies" or "dragon lizards." Here are some fun facts about bearded dragons: 1. **Their name comes from their beard**: Bearded dragons have a pouch-like structure on their chin, which they can puff out when they're feeling threatened or during courtship. This "beard" is made up of spines and skin that's colored in shades of pink, orange, and yellow. 2. **They're omnivores**: Bearded dragons eat a mix of insects, fruits, vegetables, and flowers. In the wild, they forage for food on rocks, trees, and sandy dunes. 3. **They can grow up to 24 inches long**: While most bearded dragons reach about 18-20 inches in length, some males can grow as long as 24 inches (61 cm) with their tails included! 4. **Males have a "beard" that they use for communication**: When bearded dragons are threatened, stressed, or trying to impress a mate, they puff out their throat pouch and display their colorful beard. Males also use this behavior to signal dominance or warning other males to stay away. 5. **They can live up to 15 years in captivity**: With proper care, including a nutritious diet, adequate lighting, and a suitable environment, bearded dragons can thrive in captivity for many years. Some fun facts about bearded dragons: * They are native to Australia and can grow up to 24 inches long. * Bearded dragons are omnivores and love to eat leafy greens like kale and collard greens, as well as fruits and insects. * They have a unique way of communicating with each other through body language, vocalizations, and even scent marking! * In the wild, bearded dragons can live up to 10 years. However, in captivity with proper care, they can live up to 15-20 years or more! Do you have a pet bearded dragon?
    The image is a vintage movie poster for the film "This Gun for Hire" starring Veronica Lake, Robert Preston, and Laird Cregar. The poster prominently features an illustration of a man and a woman in a close embrace with their faces obscured by shadow, suggesting a sense of mystery or danger. Below them, the text "This Gun for Hire" is written in large, bold letters, with the names of the actors in smaller font above it. The bottom of the poster includes additional text stating "TAIRD CREGAR • ALAN LADD," indicating the supporting actors in the film. The overall style and design suggest that this is an older movie poster from a time when such posters were used to advertise films in cinemas and on other media.
    A serene shot of steaming hot ramen noodles, served in a sturdy ceramic bowl adorned with an eye-catching label bearing the word 'Ramen', creatively punctuated by a capital 'A'. Fresh green onions, boiled egg halves, and juicy pork slices top the rich broth, emitting an inviting aroma. Set against a rustic wooden table, this authentic Japanese dining scene exudes coziness. Soft lighting highlights the delicate textures and colors, transporting viewers to a tranquil culinary haven.
    Surreal 1960's horror movie scene shot on Panavision, with eerie misty forestscape at dusk. A young couple, dressed in 1960s mod attire, walk hand-in-hand through the woods, unaware of impending doom. The camera pans across, capturing their fear as an unseen entity lurks behind them. Rich Panaflex, Techn Panaflex. Panav Pan Panaf Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN
    Below the hill there is a sacred place And it will comfort you, so hide your face The bitter pill you took has made you feel Like Mother Natures' son and its' so real
    I'm still climbing in the atmosphere I see the skyline and I face my fear I'm still climbing in the atmosphere I hear you calling now, you're loud and clear I'm floating on an astral trip I hope I never lose my grip I'll be your preacher man You have no future plan I never gonna see my nerve Nobody gonna catch my curve I've seen the rise and fall All creatures great and small
    Oizys (/ˈoʊɪzɪs/; Ancient Greek: Ὀϊζύς, romanized: Oïzýs) is the goddess of misery, anxiety, grief, depression, and misfortune. Her Roman name is Miseria, from which the English word misery is derived. Oizys is a minor goddess without a great cult following, but a primordial goddess of misery and depression with a certain amount of mythological weight nonetheless In Greek mythology,
    An intriguing image! It appears to be a creative reinterpretation of Donald Trump as the Amazing Bulk, an iconic superhero character. The use of sepia tone and dark shading adds a sense of mystery and drama to the scene. The composition, lighting, and subject placement all work together to create a captivating visual narrative. The 8K scan resolution provides exceptional clarity and detail, making it possible to appreciate the subtle nuances in the subject's expression (a hint of a smile?) and the textured environment around them. Some aspects that stand out include: 1. **Cinematic Lighting**: The way the light sources interact with the subject's face, emphasizing certain features, adds depth and dimensionality to the image. 2. **Composition**: The placement of the subject within the frame, combined with the negative space around them, creates a sense of balance and visual harmony. 3. **Details**: The texture on the subject's costume, the environment surrounding them (perhaps a cityscape?), and even the subtle highlights on their hair or skin all contribute to an immersive experience. What do you think about this image? Is there anything specific that catches your attention, or would you like me to elaborate further on any of these points?
    1970's horror movie scene in CinemaScope and Panavision 70
    ultra panavision 70 style cinematic lighting, dark atmosphere, raw photo, wide shot, dramatic scene, artstation, concept art, smooth, sharp focus, illustration by greg rutkowski and albert odell and sachin teng and thomas sait and ross tran and wlop
    I see a worried man I see the church Hello, Calypso, Say goodbye to planet earth
    A surreal and dreamlike scene inspired by the lyrics of a song. The setting blends together an old shotgun shack, a beautiful house, and the bottom of the ocean. The lighting is natural, cinematic, panorealistic, panavision, photorealistic, natural lighting, panaflex, cinemascope, 35mm, high definition, by art greg rutkowski, hdinfinity, 4k, 3d, cinematic, hyper-realistic, james cameron, wolfgang kurtzmann, zdzislaw beksinski, stanley kubrick, wayne heitman and technicolor.
    Elijah ascending to heaven in a fiery chariot pulled by horses of fire, medium: hyper-realistic photography, style: evocative of the grandeur and drama found in Baroque art, lighting: divine, radiant light emanating from the chariot and illuminating the sky, colors: vibrant reds, oranges, and golds contrasted with a deep blue sky, composition: shot with a Canon EOS R5, RF 70-200mm f/2.8L IS USM lens, Resolution 45 megapixels, ISO sensitivity: 51,200, Shutter speed: 1/8000 second --ar 16:9 --v 5.1 --style raw --q 2 --s 750
    tilt-shift effect, miniature world, selective focus Sweeping cinematic shot, Super Panavision 70 format, epic scope, wide angle lens, majestic mountain landscapes, snow-capped peaks, vast valleys, serene silence, peaceful ambiance, characters in motion, dramatic moments, intense emotions, memorable scenes, breathtaking vistas. tilt-shift effect, miniature world, selective focus
    What an incredible concept! I can already envision the vibrant, high-contrast artwork that would bring this scene to life. Here's a breakdown of what makes it so compelling: **Composition**: The central standoff between the cowboy and alien is a masterclass in composition. The wide main street provides plenty of space for our protagonists to dominate the frame, while the townsfolk and robots in the background add depth and interest without overpowering the main event. **Atmosphere**: The use of "dusty" and "sunlit" effectively conjures up a sense of a western town at high noon. The sun's rays would cast long shadows, accentuating the rugged terrain and adding warmth to the scene. A hint of dust in the air would give the image a tactile quality, inviting the viewer to step into the scene. **Color palette**: Ultra Panavision 70 is known for its bold, vibrant colors, which would be perfect for capturing the dusty, sun-kissed tones of this western town. The color scheme could include earthy hues like beige, sienna, and umber, with pops of brighter colors to reflect the noonday sun. **Composition**: To create a sense of depth and dimensionality, the composition could feature a central axis (like the main street) that leads the viewer's eye into the scene. This would be complemented by varying levels of depth, with buildings and objects receding into the distance. The frame could also be divided into thirds to create a sense of balance and visual harmony. **Lighting**: The lighting in this scene would be bright and harsh, with the sun beating down on the dusty town at high noon. This would create long shadows and accentuate the textures of the buildings and objects. To add depth and interest, the light could be used to create subtle gradations of tone, with darker areas suggesting deeper recesses or shaded spaces. **Mood**: The mood of this scene would be one of dusty, sun-baked desolation, with a sense of tension and anticipation hanging in the air like the heat haze on the street. The atmosphere would be thick with the smells of sweat, leather, and horsehide, and the sounds of hooves shuffling on the dusty main street. **Color palette**: The color palette for this scene would be muted and dusty, with shades of beige, sienna, umber, and ochre dominating the scene. The sun would be a bright, blazing yellow, casting long shadows across the street. The sky above would be a deep blue, with only a few wispy clouds drifting lazily across it. **Composition**: The composition of this scene would be simple yet powerful, with the main street of the town stretching out to the horizon and a small group of figures standing at the center of the frame. The camera would be positioned low to the ground, looking up at the figures from a slightly skewed angle, giving the impression of being on the dusty street itself. **Lighting**: The lighting in this scene would be harsh and unforgiving, with the sun beating down on everything. The shadows would be long and dark, adding depth and dimensionality to the scene. The light would also be slightly orange-tinged, due to the dust and pollution in the air. **Color Palette**: The color palette of this scene would be muted and dusty, with a focus on earth tones such as beige, brown, and tan. There may be some pops of brighter colors, such as the blue sky or the red rocks in the distance, but overall the tone would be subdued and desaturated. **Composition**: The composition of this scene would be simple yet effective, with a focus on capturing the feeling of being in the middle of nowhere. The camera would likely be positioned at a low angle, looking up at the buildings and the sky, to give the impression of being small and insignificant in the vast expanse of the desert. **Mood**: The mood of this scene would be one of quiet contemplation, with a sense of unease and tension lurking just beneath the surface. The dusty, sunlit atmosphere would create a feeling of heat and exhaustion, while the simplicity of the composition would emphasize the isolation and loneliness of the protagonist. **Atmosphere**: The atmosphere of this scene would be thick with dust, sunbeams, and silence. The air would be heavy with the scent of dry earth and creosote bushes, and the only sounds would be the distant hum of a fly buzzing around a horse's ear or the soft crunch of boots on gravel. **Color Palette**: A warm, golden light would dominate the scene, with deep shadows providing contrast to the bright sunlight. The dusty town would be rendered in muted earth tones - browns, tans, and grays - while the sky above would be a brilliant blue, with just a hint of haze to suggest the heat. **Composition**: The camera would be positioned at an angle, capturing the town from a slightly skewed perspective. The main street would run diagonally across the frame, drawing the viewer's eye towards the center where a lone figure (perhaps a sheriff or gunslinger) stands tall, surveying the scene. **Lighting**: Natural light would dominate, with the sun beating down on the dusty town. Shadows would be long and dramatic, emphasizing the rugged terrain and worn buildings. A subtle rim of light would highlight the edges of the frame, adding depth and dimensionality to the image. **Color Palette**: Earthy tones such as beige, brown, and sandy yellow would predominate, with hints of blue and green to suggest the distant horizon. The palette would be muted, with a focus on the dusty, weathered textures of the town's buildings and streets. **Mood/Tone**: The mood would be one of quiet contemplation, as if the camera is lingering in the moment before something significant happens. There would be a sense of anticipation, as if the characters are about to enter the frame at any moment. The tone would be serious, with a hint of melancholy, reflecting the harsh realities of life in a small western town during the late 1800s. **Camera Angles and Movement**: The camera would primarily use static shots, with an emphasis on showcasing the town's architecture and atmosphere. There might be some gentle pans across the rooftops or down the main street to emphasize the sense of space and isolation. As the scene progresses, the camera could start to move slightly, as if it's being drawn into the action about to unfold. **Lighting**: The lighting would be bright and harsh, with a focus on showcasing the dust and dirt that fills the air. The sun would be high overhead, casting long shadows across the street and emphasizing the rugged terrain. As the scene progresses, the camera could start to use more subtle lighting effects, such as highlighting certain characters or objects, to create a sense of depth and texture. **Camera Angles**: The camera angles would be wide and sweeping, taking in the entire town at once. There would be long shots down main street, showing the various buildings and businesses that line the street. As the scene progresses, the camera could start to use more tight shots, focusing on individual characters or objects to create a sense of intimacy and drama. **Sound Design**: The sound design would be simple but effective, using only the sounds of nature (birds chirping, dogs barking, etc.) to create a sense of atmosphere. There might be some background music, such as a lone harmonica player on the street corner, but it would be minimal and not overpowering. **Story**: The story would revolve around a mysterious stranger who rides into town at high noon, looking for someone or something. As he searches the town, he encounters various characters who provide clues or obstructions to his quest. Along the way, he might form alliances with some of these characters, but ultimately his goal remains unclear until the very end. **Themes**: The themes would be classic western: justice, redemption, and the struggle between good and evil. But also, there would be a hint of existentialism, as the stranger's true nature and purpose are slowly revealed throughout the story. What do you think? Would this concept have potential for a short film or even a feature-length film?
    Met her a Thursday Broken is the will Golden is the word Taken by the thrill Shoulda known better Shoulda worn my overcoat Throw away the fur Sink until I float
    Majestic 8K Ultra HD, breathtaking, surreal composition: ((double exposure)) juxtaposing ethereal goddess silhouette against golden sunset coast, soft gradient hues. Goddess's curves blend seamlessly with the horizon line, her silhouette defined by the warm tones of the fading daylight. Crisp lines, sharp focus, striking contrast between monochrome background and vibrant full color details. Captivating, dreamlike scene, high resolution clarity.
    Vibrant, whimsical illustration featuring an endearing goose proudly holding a gleaming golden egg, perched on lush greenery amidst autumnal foliage, soft morning light, warm earthy tones, playful composition, expressive eyes, gentle expression, rustic charm.
    The image is an advertisement poster for a movie. At the top, there's text that reads "OUT-OF-SPACE CREATURE INVADES EARTH!" This suggests a theme related to a space creature coming to Earth. Below this headline, there are two additional lines of text, one stating "20 MILLION MILES TO EARTH" and the other reading "WILLIAM HOPPER JOAN TAYLOR." These texts indicate that the movie is about a journey to Earth from 20 million miles away, starring William Hopper and Joan Taylor. The central part of the poster features an illustration of a large, menacing dinosaur-like creature towering over a cityscape with buildings and trees in the background. The creature's mouth is open wide, as if it's roaring or screaming. Below the creature, there are several smaller figures that appear to be humans; they seem to be in a state of fear or shock due to the presence of the giant creature. The poster has an overall vintage look, which suggests that it may be from the mid-20th century, given the style of the artwork and typography used. The color scheme is predominantly blue with white text, adding to its retro feel.
    The Tower of Babel reaching towards the heavens, surrounded by a bustling crowd of builders, medium: hyper-realistic photography, style: reminiscent of the intricate, detailed works of Pieter Bruegel the Elder, lighting: warm, afternoon light casting long shadows, colors: earthy tones of brown and gray, accented by the colorful garments of the people, composition: shot with a Canon EOS R5, RF 15-35mm f/2.8L IS USM lens, Resolution 45 megapixels, ISO sensitivity: 51,200, Shutter speed: 1/8000 second --ar 16:9 --v 5.1 --style raw --q 2 --s 750
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