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    photo of a cyber snowman, cyberpunk, made of snow and metal, interesting angle, sharp focus, 8 k high definition, insanely detailed, intricate, intelligent, art by kazuya takahashi, fenghua zhong, sangsoo jeong, kevin hou

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    Here's a detailed image prompt for a realistic and high-quality photograph of a duck: **Title:** Serene Duck Portrait **Scene:** * Setting: A tranquil pond surrounded by lush greenery and tall trees in the late afternoon. * Weather: Soft, warm sunlight with a few wispy clouds drifting lazily across the sky. * Water: The pond is calm and mirror-like, reflecting the surrounding foliage and sky. **Duck:** * Breed: Wood Duck (Aix sponsa) or similar species with distinctive plumage. * Age: Adult duck with mature feathers and subtle wear on its beak. * Posture: Sitting comfortably on a flat rock or a small island in the pond, with its body slightly angled to present its most attractive side. * Facial expression: Relaxed, serene, and slightly introspective, with eyes gazing softly into the distance. * Feathers: Shiny and well-groomed, with subtle iridescence on the wings and tail feathers. The feathers around the beak should appear slightly ruffled from preening. Additional details: * The background should be a blurred or partially blurred natural environment, such as a pond's edge, a forest floor, or a meadow. * The lighting should be soft and gentle, with a warm tone to evoke a sense of tranquility. Consider using the golden hour or early morning light for added warmth. * Pay attention to the textures and details of the duck's plumage, making sure they appear realistic and high-quality. * Consider incorporating some subtle motion blur or panning effect to convey a sense of movement or action. Example: **Title:** "Morning Serenity" **Description:** Imagine a serene morning scene where a beautiful Mallard duck (Anas platyrhynchos) is waddling along the edge of a peaceful pond. The sun is slowly rising, casting a warm golden light on the tranquil environment. Our focus is on this stunning duck, with its iridescent feathers glistening in the soft morning glow. **Composition:** * The duck is positioned at the center of the frame, with its head slightly tilted and beak pointed downwards, as if it's inspecting the water's edge. * The camera angle is from a low perspective, looking up at the duck from just above eye level. This creates a sense of intimacy and emphasizes the duck's majestic plumage. * The background is blurred to create a shallow depth of field, allowing the viewer's attention to focus on the duck's striking features. **Lighting:** * Soft, natural light with a warm tone (around 5500K) illuminates the scene. This simulates the gentle glow of morning or early afternoon sunlight. * The lighting is diffused and even, with no harsh shadows or highlights. This creates a sense of softness and subtlety. **Props:** * None. The focus is solely on the duck's elegant plumage, refined facial features, and natural behaviors. **Composition:** * The duck is positioned in a relaxed pose, possibly preening its feathers or gazing at something in the distance. * The camera captures the duck from a slightly low angle (around 30-40 degrees), emphasizing its stature and creating a sense of intimacy with the viewer. * The background is blurred to create a sense of depth, while keeping the focus on the duck's detailed features. **Technical specifications:** * Camera: High-quality DSLR or mirrorless camera with a full-frame sensor (e.g., Nikon D850 or Canon EOS R5). * Lens: A high-quality prime lens or telephoto zoom lens with a focal length of at least 100mm (e.g., 100-400mm or 200-600mm). This will allow for a shallow depth-of-field, blurring the background and emphasizing the duck's features. * Aperture: f/2.8 to f/5.6, depending on the desired level of background blur and the distance from the subject to the camera. * Shutter speed: 1/100th of a second to 1/200th of a second, depending on the lighting conditions and the desired effect. * ISO: 100-400, depending on the lighting conditions. A lower ISO will result in less noise and a more natural look. **Composition suggestions:** * Focus on the duck's eyes or beak to create a sense of intimacy and connection with the viewer. * Use negative space to create a clean and simple composition that draws attention to the subject. * Consider including some subtle reflections or ripples on the water's surface to add depth and visual interest. * Play with the angle of the shot to capture the duck's unique personality, such as looking up at you from a low angle or swimming away from you from a high angle. * Experiment with different lighting setups, such as backlighting the duck against a bright blue sky or using warm sunlight to create a cozy atmosphere. Some possible compositions: * A close-up of the duck's face, with its eyes and beak in sharp focus, and the surrounding water blurred out. * A side view of the duck swimming or paddling through the water, with the camera positioned at eye level or slightly above. * A low-angle shot looking up at a duck standing on the shore or walking along the water's edge, with the surrounding landscape blurred out. * A wide-angle shot showing a group of ducks swimming together in the water, with the sun shining down and creating a beautiful reflection. Some possible lighting setups: * Backlighting: Position the duck near a bright blue sky, with the sun behind it. This will create a beautiful rim of light around its body, making it stand out against the darker water. * Warm sunlight: Place the duck in a warm, sunny spot, with the camera positioned to capture the soft, gentle light on its feathers and the surrounding environment. * Moody atmosphere: Shoot the duck at dawn or dusk, when the lighting is soft and moody. This will create a dramatic, atmospheric image with deep shadows and subtle highlights. Some possible compositions: * Simple composition: Focus on a single duck, placed in the center of the frame, with plenty of negative space around it. * Environmental portrait: Place the duck in its natural environment, such as a pond or lake, surrounded by lush vegetation and interesting rocks or logs. * Action shot: Capture the duck in mid-movement, such as taking off from the water or paddling with its webbed feet. Some possible poses: * Relaxed pose: Show the duck standing calmly on the shore, with its feathers fluffed out and its head held high. * Alert pose: Depict the duck looking around cautiously, its eyes scanning the surroundings for potential threats. * Playful pose: Capture the duck in a playful pose, such as chasing after a bug or frolicking in the water. Some possible lighting scenarios: * Golden hour: Shoot during the golden hour when the sun is low on the horizon, casting a warm glow over the scene and creating long shadows. * Overcast sky: Take advantage of an overcast day to create soft, even lighting that won't overpower the subject. * Backlighting: Use backlighting to separate the duck from its surroundings and create a beautiful rim of light around its feathers. Some possible compositional elements: * Water: Include water as a compositional element to add depth and interest to the image. You could place the duck in the center, with the water creating a sense of movement and energy. * Reflections: Take advantage of the reflections created by the water or other surfaces to add an extra layer of visual interest to the image. * Surroundings: Consider including the surroundings, such as vegetation, rocks, or buildings, to provide context and depth to the image. Some possible lighting scenarios: * Golden hour: Shoot during the golden hour, when the sun is low in the sky, to create a warm and inviting atmosphere. This could be particularly effective for a duck image, as it would highlight the duck's feathers and create a sense of coziness. * Overcast day: Shoot on an overcast day to create a soft, diffused light that would help to minimize harsh shadows and create a more even, subtle lighting effect. * Backlit: Create a dramatic backlit effect by placing the duck in front of a bright light source or using a reflector to bounce light onto its feathers. This could add depth and dimensionality to the image. Some possible composition ideas: * Simple pose: Have the duck sit comfortably on a rock, log, or other natural surface, with its feathers fluffed out and its eyes looking directly at the camera. * Natural surroundings: Place the duck in its natural environment, such as near water, surrounded by plants or flowers, or perched on a tree branch. This could add context and interest to the image. * Creative placement: Get creative with where you place the duck! Consider placing it on a unusual surface, like a book or a vintage typewriter, or having it peek out from behind a curtain of leaves or flowers. Some possible lighting ideas: * Natural light: Take advantage of natural light by shooting near water, in a field, or under a tree. This could create soft, warm tones and interesting shadows. * Backlighting: Use backlighting to create a beautiful rim of light around the duck's feathers. You could position the sun behind the duck or use a sidelight source like a lamp. * Highlighting texture: Focus on highlighting the texture of the duck's feathers by using a shallow depth of field and positioning the lighting source at an angle. This could create a beautiful, detailed close-up shot. Some possible composition ideas: * Rule of thirds: Place the duck off-center in the frame, with its head or body positioned along one of
    Futuristic jungle setting filled with fantastical creatures, strange plants, and ancient ruins. Colorful, whimsical illustrations by Sid & Marty Krofft, creators of psychedelic TV shows like 'H.R. Pufnstuff', 'Land of the Lost', 'Sigmund and the Sea Monsters'. Imaginative characters, surreal landscapes, bold lines, bright colors, playful energy. Think: Saturday morning cartoons from the 60s-70s.
    Feel the sun burnin' on my back And now I'm waiting for the sky to crack
    The image is a vintage movie poster featuring the title "KONGA" in large, bold white letters against a red background at the bottom. Above this title, in smaller yellow font, it reads "COLOR SPECTACULAR." Below the title, there are additional texts indicating the film's release details: "NOT IN THEATERS NOW" and "REVISED JUNE 20, 1963." The central figure of the poster is a large, menacing gorilla with its mouth open in a roar. The gorilla appears to be standing amidst chaos, as there are several smaller figures of people running around it in a panicked manner. The background depicts a city street scene with buildings and smoke rising from them, suggesting an apocalyptic event. At the top of the poster, the phrase "NOT SINCE 'KING KONG' HAS THE SCREEN EXPLODED WITH SUCH MIGHTY FURY FUSS AND SPECTACULAR!" is printed in a smaller yellow font against a dark background. This text implies a connection to the famous "King Kong" character and promises an exciting spectacle. The poster has a worn, aged look, with slight discoloration and creases visible along the edges, which suggests it may be from a previous decade when color films were more of a novelty than the norm. The overall style is reminiscent of classic movie advertising designs.
    I see a worried man I see the church Hello, Calypso, Say goodbye to planet earth
    Heartbreaking Portrait: A young woman sits alone in a dimly lit room, her eyes red from crying for what appears to be years. Her face is gaunt, her skin pale, and her hair disheveled. She wears a worn-out t-shirt and faded jeans, the clothes stained with tears. The camera angle captures the sorrowful scene at eye level, emphasizing her pain. Soft, warm light illuminates her face, as if it's trying to comfort her, yet she remains lost in thought. Her gaze is directed downward, lost in memories of what once was. Years of tears have taken their toll on this young soul, leaving only despair behind.
    wang chung, highly detailed, digital painting, artstation, concept art, smooth, sharp focus, illustration, Unreal Engine 5
    H.R. Pufnstuf in the art style of 'Sid and Marty Krofft'
    A 19th-century inventor in his workshop, surrounded by steampunk versions of modern technology like smartphones, electric cars, and computers, medium: hyper-realistic photography, style: influenced by the whimsical, retro-futuristic aesthetic of Jules Verne's novels, lighting: soft, ambient light from gas lamps and candles, casting a warm glow on brass and wood, colors: rich browns, golds, and deep blues, composition: shot with a Canon EOS R5, RF 24-70mm f/2.8L IS USM lens, Resolution 45 megapixels, ISO sensitivity: 51,200, Shutter speed: 1/8000 second --ar 16:9 --v 5.1 --style raw --q 2 --s 750
    superman from the film, it features actor david corenswet in his role as superman. intricate, highly detailed, digital painting, artstation, concept art, smooth, sharp focus, illustration, he is seated on a couch, by artgerm and greg rutkowski
    The lyrics of "Waterfall" by Voodoo Hill are a metaphorical tale about a person's journey through a difficult time in life. The first lines suggest that the person is going through a stormy period and is alone, as all their friends have gone. The reference to the hourglass represents the person's awareness that time is passing and they are slowly burning out. The line "warn my face in the sun" suggests that they are aware of how the passage of time and experience is affecting them, causing them to age prematurely., The chorus is a plea for help and guidance, asking to be taken down to the waterfall and back to the sea, which can be interpreted as a symbol of returning to a place of peace or thriving. The waterfall may represent a cleansing or purifying force that can help the person move past their difficulties. The repetition of the line "I am down on my knees" emphasizes the vulnerability and desperation of the person's situation. By the end of the song, the person is still riding towards the unkown, but with a newfound hope that they can go further than anyone else, and with a desire to stay in the place where they may find healing.
    The image presents a fantastical landscape scene. In the center of the composition, there's an intense sunset with hues of orange and red, casting light across the scene. Above the sun, there are dark clouds that appear to be illuminated from below by the sunlight, creating a dramatic sky effect. In front of this vibrant sky is a forest scene with tall trees. The trees have thin trunks and are densely packed together, suggesting a mature forest. There's a river flowing through the middle of the image, meandering between the trees and contributing to the serene atmosphere. On either side of the river, there are two small figures standing. They appear to be humans, but due to their size relative to the landscape, they seem quite tiny compared to the expansive scenery. The figures on both sides could suggest a sense of balance or symmetry in the image. There is no text present in the image. The overall style of the artwork leans towards fantasy, with an emphasis on vivid colors and a sense of otherworldly beauty. The scene is devoid of modern technology and urban elements, focusing instead on the natural environment and its dramatic lighting effects.
    The image is a movie poster with a vintage design. At the center of the poster, there's an illustration of a man in a suit and tie, standing on one leg with his hands raised as if he's dancing or performing. He has a beard and mustache and appears to be in motion. In the foreground, there's red text that reads "ALJOLSON SINGER." The background of the poster is predominantly red with white text that includes the name "JOSEF ROSENBLIAT" at the top right corner, suggesting he might be the actor or character featured in the poster. Below the illustration and the man's name, there are additional texts. The largest text reads "Das erste deutsche Film der Welt," which translates to "The first German film in the world." This indicates a historical context for the movie poster. Additional text on the poster includes the names "AL JOLSON" and "JAZZ SINGER" along with the title "JOSEF ROSENBLIAT." The presence of these names suggests that Al Jolson is likely the main character or performer in this film, which is titled "THE JAZZ SINGER." The bottom left corner of the poster features a smaller text that says "das deutsche Film der Welt," repeating the phrase "the first German film in the world." This reinforces the historical significance mentioned above. The overall style and layout of the poster are consistent with mid-20th century movie posters, featuring bold typography, a central illustration, and a limited color palette.
    The Tower of Babel reaching towards the heavens, surrounded by a bustling crowd of builders, medium: hyper-realistic photography, style: reminiscent of the intricate, detailed works of Pieter Bruegel the Elder, lighting: warm, afternoon light casting long shadows, colors: earthy tones of brown and gray, accented by the colorful garments of the people, composition: shot with a Canon EOS R5, RF 15-35mm f/2.8L IS USM lens, Resolution 45 megapixels, ISO sensitivity: 51,200, Shutter speed: 1/8000 second --ar 16:9 --v 5.1 --style raw --q 2 --s 750
    long exposure, motion blur, light trails Epic space opera movie scene, Super Panavision 70 format, sweeping vistas of distant planets, majestic starship battles, heroic character interactions. Cinematic grandeur, vivid colors, high contrast ratio, wide aspect ratio, 8K resolution. (Image description by: An SD prompt maker) glass art, transparent textures, stained glass effects
    tilt-shift effect, miniature world, selective focus Sweeping cinematic shot, Super Panavision 70 format, epic scope, wide angle lens, majestic mountain landscapes, snow-capped peaks, vast valleys, serene silence, peaceful ambiance, characters in motion, dramatic moments, intense emotions, memorable scenes, breathtaking vistas. tilt-shift effect, miniature world, selective focus
    Elijah ascending to heaven in a fiery chariot pulled by horses of fire, medium: hyper-realistic photography, style: evocative of the grandeur and drama found in Baroque art, lighting: divine, radiant light emanating from the chariot and illuminating the sky, colors: vibrant reds, oranges, and golds contrasted with a deep blue sky, composition: shot with a Canon EOS R5, RF 70-200mm f/2.8L IS USM lens, Resolution 45 megapixels, ISO sensitivity: 51,200, Shutter speed: 1/8000 second --ar 16:9 --v 5.1 --style raw --q 2 --s 750
    The image is a vintage movie poster for the film "This Gun for Hire" starring Veronica Lake, Robert Preston, and Laird Cregar. The poster prominently features an illustration of a man and a woman in a close embrace with their faces obscured by shadow, suggesting a sense of mystery or danger. Below them, the text "This Gun for Hire" is written in large, bold letters, with the names of the actors in smaller font above it. The bottom of the poster includes additional text stating "TAIRD CREGAR • ALAN LADD," indicating the supporting actors in the film. The overall style and design suggest that this is an older movie poster from a time when such posters were used to advertise films in cinemas and on other media.
    side-profile of a pear-shaped figure (Vanessa Kirby:1.1) , highborn, she is feeling very melancholy, intricate, elegant, dynamic dramatic composition, highly detailed, photographed in scandinavian background, dynamic lighting, 50mm, hyperrealistic, trending on zdketon, ultra detailed, concept art, illustration by greg rutkowski and alphonse mucha
    Epic, imaginative scene from 1960s fantasy film, shot on Panavision Panaflex with vibrant Technicolor hues. Majestic dragon soars through misty mountainside, its scales glinting like gemstones in sunlight. Heroic knight, dressed in shining armor, charges forward, sword raised high, as mythical creatures join (in Ray Harryhausen)). Eager, Panaf Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan Pan PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PANAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN Best quality, professional, photo shoot, close-up, portrait,
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