More prompts from ExCivitan

    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>>
((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm)
[ realisticvision-negative-embedding , 8k, uhd , photograph]
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal horrifying shadow spectre) (is hovering, levitating, flying high) (menacingly , terrifyingly, up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    In the twilight's shroud, where shadows dance,
Lies a garden of eerie and deadly plants .
Beneath the moon's pale, ghostly light,
Where nightmares bloom in the dead of night.
Trees twist and coil, their branches writhe,
Like vipers in the deadliest hive.
Their leaves, a tapestry of despair,
Whisper secrets of the dark's cruel snare.
Flowers of crimson, with petals like knives,
Blossom where death and darkness thrives.
Their scent, of poison mist, that fills the air,
Luring lost souls, to their deadly care.
Beneath the earth, roots twist and claw,
Grasping at spirits with a silent draw.
Among the graves, where whispers hiss,
Echoes the sorrow of gloom's soft kiss.
In the center, a fountain flows,
With waters black as midnight's woes.
Its streams, a mirror of the abyss,
Reflecting the souls it longs to twist.
In this garden, where nightmares dwell,
A symphony of darkness, a haunting spell.
For those who dare to roam its maze,
Shall find their souls trapped in its gaze.
<<BREAK>>
Perfect surrealist photograph , psychologically disturbing,
((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, very detailed background, Experimental lighting, gothic art,  realisticvision-negative-embedding,  epiCRealism ))
    In the shadowy village where darkness reigns,
Houses loom tall, with eerie remains.
Gothic facades, with windows aglow,
Whispers of phantoms, in the eerie glow.
Each house tells a tale of terror and woe,
With creaking floors, and ghosts that flow.
But amidst the horror, one house stands plain,
A normal facade, devoid of strain.
Its windows shuttered, its doors closed tight,
But within its walls, a chilling sight.
For behind closed doors, a darkness dwells,
A horror unseen, in the depths it compels.
While ghosts haunt the streets, with mournful cries,
The true terror lurks, behind human eyes.
For in the house that seems so mundane,
Lies the heart of darkness, a soul in pain.
So beware the normal, in a village of fear,
For the true horror lies, where the humans leer.
In a world of ghosts, it's the humans who scare,
In the house that seems, like it doesn't care.
 gritty , themes of unsettling contrast in a community, cinematic, unexpected psychological twist, surrealist, echo image, sidelit, cinematic photograph, noise offset,  <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    surrealist photograph, after image, double exposure, serpent shoot out from her wide sleeves, she holds a bloodsoaked chainsaw, she has throwing knives strapped to her thighs, shinhigh brown boots, kneehigh grey socks, denim skirt, demonic echo image, echo image, emblem, head with horns in reflection, horns on head in shadows, sidelit,  masterpiece from a different dimension, film grain, noise offset,  <lora:add-detail-xl:1>  candid photography, Getty Images quality photograph, cute and endearing photograph contrasted by violent mania , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    [Very high angled, downward looking, aerial photograph], ((a subterranean is seen as a surreal labyrinth of interconnected, undulating tunnels and chambers), (walls are intricately sculpted from smooth, reddish-brown rock, with surfaces resembling melting wax or giving the village an organic appearance), (central to the village is a large, circular plaza illuminated by a series of bioluminescent crystals embedded in the ceiling, casting an ethereal, multicolored glow over everything), (surrounding the plaza are homes carved directly into the rock, each with rounded, bulbous shapes and windows of varying, irregular shapes and sizes), (staircases and ramps twist and turn in impossible directions, leading to higher or lower levels within the village), (pillars support cavern ceilings adorned with intricate, swirling patterns), (aqueducts run along the walls, carrying water that cascades into small fountains and pools), (hanging gardens of exotic, twisted plants dangle from the ceilings, their roots exposed and intertwined), (the village's market area features elongated stalls with curved roofs, overflowing with bizarre, otherworldly goods), (Elevated walkways made crisscross the chambers), (pathways that seem to float in mid-air)
[alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background]
realisticvision-negative-embedding, epiCNegative
    perfect angled arial (arial: top down, seen from above), downward looking photograph, vast expansive (vast: all ecompassing, immense. expansive: very wide, long seeing), photograph (([downstage] a pillars of fire are seen), ([centrestage] molton lava is seen below streaming in a circular labrynth), (a draconian fire goddess is also seen weaponsmithing swords and battleaxes), (coyotes and firebird-phoenixes roam the landscape) ([upstage] a volcano is seen))
realisticvision-negative-embedding, epiCRealism
    In the stillness of the land, where whispers fade to mist,
A somber shadow lingers, where the lost ones gently kissed.
Their names upon the wind, like petals softly tossed,
In memory they linger, their absence never lost.
Through the rivers' gentle flow, and the mountains' silent cry,
Their spirits dance in moonlight, beneath the endless sky.
Though taken from this earth, their presence still remains,
In every leaf that rustles, in every gentle refrain.
We honor their existence, their stories left unsaid,
With solemn hearts we gather, to remember those who've bled.
On this MMIW awareness day, we must vow to never rest,
Until every missing sister finds her soul, justice and truth caressed.
 gritty , themes of unsettling contrast in community, cinematic sadness and hope, indigenous echo image, cinematic photograph, noise offset,  <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    <lora:md2034:0.5> awe inspiring, interest arousing
poster_\(medium\), Full length, 2 meters distance away, distance shot, full body, whole body, perfect photograph, vivid detail, ((The sudden breathy delights of an unexpected shoulder carress
Whereon, burdens tend to take their rest, Are the shooting of a star across night skies, Where rested the hopes of forgotten lies.)) , emblem,(simple_background:1.3), symmetry,(no_humans:1.3),, (masterpiece:1.3), (best_quality:1.3), (ultra_detailed:1.3), 8k, extremely_clear, realism, (ultrarealistic:1.3), insane details, perfect composition, intricate details, hyperdetailed, ultra detailed, extreme detailed, highest detailed, high_detail, colorful, beautiful, hdr, photorealistic, highres, ultra_high_res, photography, aesthetic, extremely_delicate,
    [Very high angled aerial photograph], ((a vast Yautja city is seen (at a slight crooked angle) sprawling below)), ((nestled within a dense, alien jungle the Yautja city’s architecture is deco, it blends organic and sophisticated technological elements) (dark, metallic towers rise above the canopy, each adorned with intricate, glowing glyphs in green and blue hues), (the structures are interconnected by a web of narrow, elevated pathways and bridges, giving the city a lattice-like appearance), (beneath the towers, is a network of many (angular terraced pyramid-like buildings , their surfaces etched with ancient symbols and carvings that catch the light, giving them an eerie glow), (some smaller, domed structures and an alien spaceport show us glimpses of Yautja predator technology and culture within), (the city’s outskirts fade into the dense jungle, with camouflaged watchtowers and defensive outposts strategically positioned), (rivers of molten metal flow through the city, providing both illumination and a sense of foreboding), (the atmosphere is thick with mist), (the city is in a perpetual twilight, while distant, roaring waterfalls and alien wildlife add to the city’s primal, yet advanced ambiance) ,
[alien militaristic-hunter themed, 32k photograph, uhd,]
realisticvision-negative-embedding, epiCNegative
    8k, uhd , dynamic action photograph ((The most ultra-angry enraged cactus in the old west)), ((The most ultra-angry enraged cactus) is wearing (a black cowboy hat), (a thick moustache), and (a bandit's mask)), ((The most ultra-angry enraged cactus), is also pointing a very detailed and well defined shiny silver revolver towards the viewer))
<< BREAK >>
((outdoors), (old west), (The Devil's Saloon backdrop),
[ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]
    full-length photograph of ((A distant disembodied skull/ huge skull only the skull unsupported ((with typical circus-clown makeup), (the skull's face is painted like a circus clown), the neckless and bodiless skull has a red smile painted around the mouth and blue painted around the eyes), fuzzy hair, and terrifying piercing eyes)), its (long snakelike tongue) flails in the wind, the bodiless/ neckless/ disembodied clownskull painted like a circus clown, is seen far in the distance, flying through space floating in the cosmos
Macabre surrealist photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>>
((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm)
[ realisticvision-negative-embedding , 8k, uhd , photograph, Kodak Motion Picture Film Style ]
    full-length photograph of ((a seagull wearing a red cap with the word "MAGA" very clearly seen printed across the front), (the seagull wearing the red cap is (standing in mud) and (eating french-fries), 
Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    POV: Strong fisheye-lens photograph (intense fisheye-view photograph), of an icecream shop during The Purge!
, 
:BREAK:
,
((Themes of vintage 1950's icecream shop contrasted by themes of James DeMonaco's dystopian political thriller The Purge))
(( fisheye photograph includes blood splatters, the word "Purge" clearly seen, experimental low upward looking angles, cinematic, perfect composition, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism ))
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)),
((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) ,
[ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme),  (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)),
((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) ,
[ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme),  (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    [Very high angled, downward looking, aerial photograph], ((a vast alien city spreads through a nightmarish cavernscape), (organic, biomechanical architecture) , (the city is embedded in a cavernous, dimly lit environment, with everything covered in a slimey dark, chitinous substance that gives everything a slick, glistening appearance), (central to the city are massive, hive-like buildings, their surfaces riddled with pulsating, vein-like ridges and openings) (these hivebuildings are connected by an intricate network of tunnels and passageways, resembling the interior of a living organism), (throughout the city, larger chambers are visible lined with countless alien eggs, guarded by terrifying sentinel (insectsquidalien soldiers), (pools of dark, viscous liquid dot the cavernscape, reflecting the eerie bioluminescence emanating from various organic structures, casting a sickly green glow), (the city is busy with movement, as the (insectsquid aliens) scuttle along the surfaces, maintaining and expanding it), (ar the city's edges heavily fortified areas serve as breeding grounds and defensive positions), (with vile (insectsquidaliens ready to fend off any intruders),
[alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background]
realisticvision-negative-embedding, epiCNegative
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