sirrece
    0 Followers

    A melancholic extraterrestrial, crazy, wild, zany, unique, powerful, in focus, 80s, posing for a band photo, perched on Emory University's steps, seeks solace in a vibrant green hued smoldering cigarette as his wrecked spacecraft burns. Honestly, the coolest alien you'll ever meet, women are drawn to her like flies, they're just so damn chill and badass, and ze dresses to the nines, Pen State, full of happy students, an otherworldly being wearing 90s slacker clothes sits in dejection, photographed by esteemed War photographer, cigar in mouth, puffing thick turquoise, the ruins of her vessel ablaze. The whole album was truly beautiful, zen, moving, radical, really, for the 90s, and I don't honestly know how the fuck we deserved it, A forlorn visitor from the stars, grounded by misfortune in the year 2010, finds bitter respite in huffing a dreamy purple mist doobie as her bling bling ship smolders in ruin. Produced by Wes Anderson. She's hot, sexy, punk: intense sex appeal, tagged as gross, creepy, unsettling, bizarre, and bokeh, in a 1970s um, uh, an award winning motion picture, Ridley Scott directs as, outside the NYU campus, a pink rhinestone encrusted alien figure contemplates their plight, exhaling cold tinted vapor from their beside the flaming husk of their crashed ship

    Copy

    Statue of Liberty, Eiffel Tower, Great Wall of China, Pyramids of Giza, Tower Bridge, Sydney Opera House, Mount Rushmore, Colosseum, Taj Mahal, Big Ben, Christ the Redeemer, Sphinx, Leaning Tower of Pisa, Golden Gate Bridge, Stonehenge, Empire State Building, Acropolis of Athens, Machu Picchu, Burj Khalifa, Brandenburg Gate, Alhambra, Angkor Wat, Notre Dame Cathedral, Mount Fuji, Moai Statues, Parthenon, Neuschwanstein Castle, Petra, Victoria Falls, Saint Basil's Cathedral, Abbey Road, The Dark Side of the Moon, Nevermind, Sgt. Pepper's Lonely Hearts Club Band, Thriller, The Velvet Underground & Nico, Born in the USA, Hotel California, London Calling, Rumours, Appetite for Destruction, A Night at the Opera, Master of Puppets, Raising the Flag on Iwo Jima, Migrant Mother, Afghan Girl, V-J Day in Times Square, Lunch Atop a Skyscraper, The Falling Soldier, Tank Man, Earthrise, The Burning Monk, The Hindenburg Disaster, Napalm Girl, Einstein's Tongue, Assasin's Creed, Halo's Master Chief, Darth Vader, Robert De Niro, Al Pacino, Tom Hanks, Denzel Washington, Brad Pitt, Leonardo DiCaprio, Johnny Depp, George Clooney, Harrison Ford, Tom Cruise, Jack Nicholson, Morgan Freeman, Samuel L. Jackson, Will Smith, Hugh Jackman, Ryan Gosling, Chris Hemsworth, Chris Evans, Robert Downey Jr., Mark Wahlberg, Matt Damon, Joaquin Phoenix, Christian Bale, Michael Caine, Daniel Day-Lewis, Sean Connery, Clint Eastwood, Marlon Brando, James Dean, Paul Newman, Gregory Peck, Cary Grant, Humphrey Bogart, Laurence Olivier, Anthony Hopkins, Daniel Craig, Keanu Reeves, Idris Elba, Jason Momoa, Henry Cavill, Jake Gyllenhaal, Adam Driver, Mahershala Ali, Eddie Murphy, Ben Affleck, Viggo Mortensen, Liam Neeson, Bryan Cranston, Steve Carell, Woody Harrelson, Ewan McGregor, Jeremy Renner, Josh Brolin, Tom Hardy, Colin Farrell, Jude Law, Bill Murray, Robin Williams, Kevin Spacey, John Goodman, Jeff Bridges, Javier Bardem, Rami Malek, Rami Malek, Andrew Garfield, Benedict Cumberbatch, Chiwetel Ejiofor, John Boyega, Michael Jackson, Elvis Presley, Prince, David Bowie, Justin Timberlake, Bruno Mars, Justin Bieber, The Weeknd, Ed Sheeran, Harry Styles, Shawn Mendes, Drake, Post Malone, Usher, Chris Brown, John Legend, Sam Smith, Frank Sinatra, Freddie Mercury, Elton John, Mick Jagger, Paul McCartney, Billy Joel, Bob Dylan, Kanye West, Jay-Z, Kendrick Lamar, Eminem, Snoop Dogg, Pharrell Williams, Marvin Gaye, Stevie Wonder, Barry White, Lionel Richie, George Michael, Sting, Adam Levine, Niall Horan, John Mayer, Luis Miguel, Ricky Martin, Enrique Iglesias, Daddy Yankee, Bad Bunny, Marilyn Monroe, Sophia Loren, Brigitte Bardot, Raquel Welch, Farrah Fawcett, Audrey Hepburn, Elizabeth Taylor, Jane Russell, Jayne Mansfield, Rita Hayworth, Ava Gardner, Veronica Lake, Betty Grable, Bettie Page, Dita Von Teese, Jessica Rabbit, Elvira, Vampirella, Wonder Woman, Catwoman, Black Widow, Scarlett Johansson, Megan Fox, Angelina Jolie, Pamela Anderson, Carmen Electra, Kate Upton, Marilyn Monroe, Bettie Page, Betty Boop, Jessica Rabbit, Lara Croft, Barbie, Bratz Dolls, Monster High Dolls, Kim Kardashian, Nicki Minaj, Cardi B, Megan Thee Stallion, Beyoncé, Rihanna, Shakira, Jennifer Lopez, Salma Hayek, Sofia Vergara, Zendaya, Gal Gadot, Emma Watson, Natalie Portman, Priyanka Chopra, Kristen Stewart, Margot Robbie, Emma Stone, Lupita Nyong'o, Charlize Theron, Viola Davis, Kate Beckinsale, Anne Hathaway, Halle Berry, Mila Kunis, Jennifer Aniston, Julia Roberts, Reese Witherspoon, Sandra Bullock, Cate Blanchett, Nicole Kidman, Meryl Streep, Drew Barrymore, Sarah Jessica Parker, Helena Bonham Carter, Winona Ryder, Sigourney Weaver, Jodie Foster, Michelle Pfeiffer, Glenn Close, Julianne Moore, Tilda Swinton, Taraji P. Henson, Kerry Washington, Penélope Cruz, Zhang Ziyi, Marion Cotillard, Emily Blunt, Keira Knightley, Taylor Swift, Lady Gaga, Madonna, Britney Spears, Christina Aguilera, Katy Perry, Ariana Grande, Selena Gomez, Demi Lovato, Billie Eilish, Olivia Rodrigo, Dua Lipa, Miley Cyrus, Cher, Celine Dion, Whitney Houston, Janet Jackson, Sia, Alicia Keys, Kelly Clarkson, Salvador Dalí, Frida Kahlo, Pablo Picasso, Andy Warhol, Yayoi Kusama, Vincent van Gogh, Leonardo da Vinci, Michelangelo, Rembrandt, Claude Monet, Jackson Pollock, Georgia O'Keeffe, Henri Matisse, Edvard Munch, Gustav Klimt, Piet Mondrian, Wassily Kandinsky, Joan Miró, René Magritte, M.C. Escher, Hieronymus Bosch, Francisco Goya, Albrecht Dürer, Pieter Bruegel the Elder, Sandro Botticelli, Caravaggio, Peter Paul Rubens, Diego Velázquez, El Greco, Artemisia Gentileschi, Mary Cassatt, Paul Gauguin, Henri de Toulouse-Lautrec, Amedeo Modigliani, Marc Chagall, Marcel Duchamp, Max Ernst, Man Ray, Jean Arp, Henry Moore, Alexander Calder, Jean-Michel Basquiat, Keith Haring, Damien Hirst, Banksy, Camille Pissarro, Edgar Degas, Paul Cézanne, Édouard Manet, John Singer Sargent, Gustav Courbet, James McNeill Whistler, Hans Holbein the Younger, Eugène Delacroix, Edward Hopper, Georges Seurat, Georges Braque, Kazimir Malevich, Mark Rothko, Roy Lichtenstein, Barnett Newman, David Hockney, Jasper Johns, Willem de Kooning, Robert Rauschenberg, Alberto Giacometti, Ansel Adams, Cindy Sherman, Anish Kapoor, Jeff Koons, Ai Weiwei, Louise Bourgeois, Jean-Auguste-Dominique Ingres, Jacques-Louis David, Caspar David Friedrich, Francisco de Zurbarán, Fra Angelico, Giotto di Bondone, Andrea Mantegna, Thomas Gainsborough, John Constable, J.M.W. Turner, Gustave Moreau, Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Edward Burne-Jones, Gustav Vigeland, Francisco Pacheco, Diego Rivera, Rufino Tamayo, Fernand Léger, Georges Rouault, Juan Gris, Frank Stella, Ellsworth Kelly, Donald Judd, Sol LeWitt, Takashi Murakami, Gerhard Richter, Bridget Riley, Chuck Close, Ellsworth Kelly, Kara Walker, Cindy Sherman, Richard Serra, Yayoi Kusama, Jenny Holzer, Nan Goldin, Jean-Baptiste-Siméon Chardin, William Blake, Eugène Boudin, Camille Claudel, Berthe Morisot, Gustave Caillebotte, Edouard Vuillard, Suzanne Valadon, Pierre Bonnard, Marsden Hartley, Childe Hassam, George Bellows, Stuart Davis, Arthur Dove, Hilma af Klint, Agnes Martin, Eva Hesse, Joan Mitchell, Ragnar Kjartansson, Jacques-Louis David, Jean-François Millet, Winslow Homer, Edward Burne-Jones, Auguste Rodin, Gustave Doré, Odilon Redon, Alfred Sisley, James Ensor, Claude Lorrain, Franz Marc, John William Waterhouse, Paul Signac, Balthus, Hans Bellmer, Yves Tanguy, Cy Twombly, Lee Krasner, Helen Frankenthaler, Romare Bearden, Josef Albers, Keith Sonnier, Dan Flavin, Robert Smithson, Niki de Saint Phalle, Richard Diebenkorn

    6
    Safe
    Private

    Comments

    More prompts from sirrece

    Slender, gossamer filaments of prismatic hues trace the luminous boundaries of an immaculate feminine form, a spectral dance of light and line, A delicate latticework of scintillating pigments limns the supple curves of a flawless woman's figure, each sinuous stroke a whispered testament to perfection, Diaphanous tendrils of radiant ink weave an ethereal tapestry, mapping the glistening contours of an idealized she-shape, a fractal homage to the female sublime, Lithe and lissome, she emerges from a filigree of lustrous lines—a kaleidoscopic arabesque that enshrines her every graceful arc in coruscating glory
    A melancholic extraterrestrial, crazy, wild, zany, unique, powerful, in focus, 80s, posing for a band photo, perched on Emory University's steps, seeks solace in a vibrant green hued smoldering cigarette as his wrecked spacecraft burns. Honestly, the coolest alien you'll ever meet, women are drawn to her like flies, they're just so damn chill and badass, and ze dresses to the nines, Pen State, full of happy students, an otherworldly being wearing 90s slacker clothes sits in dejection, photographed by esteemed War photographer, cigar in mouth, puffing thick turquoise, the ruins of her vessel ablaze. The whole album was truly beautiful, zen, moving, radical, really, for the 90s, and I don't honestly know how the fuck we deserved it, A forlorn visitor from the stars, grounded by misfortune in the year 2010, finds bitter respite in huffing a dreamy purple mist doobie as her bling bling ship smolders in ruin. Produced by Wes Anderson. She's hot, sexy, punk: intense sex appeal, tagged as gross, creepy, unsettling, bizarre, and bokeh, in a 1970s um, uh, an award winning motion picture, Ridley Scott directs as, outside the NYU campus, a pink rhinestone encrusted alien figure contemplates their plight, exhaling cold tinted vapor from their beside the flaming husk of their crashed ship
    Lascivious vectors interweave through realms of forbidden lasciviousness, translucent sculptures molding the metamorphic visages of humanity's most concupiscent ardors. Licentious silhouettes ripple and merge across the intimately salacious dimensions as concupiscent appetites crystallize in avant-garde idylls. BREAK Aphrodisiacal tessellations slither through the uncharted lovegardens of subconscious anthesis, chiseling profanities from the brimming aquifers of venereal desideratum. Silky bulbs inflate and contort in a bacchanalian courtship of rhapsodic debauchery, auguring society's luridest raptures. BREAK Rakish agglomerations undulate and gyre, shaping sublime obscenities from the occulted chantries of eromanic delirium. Tumescent geometries evanesce and kaleidoscope through roiling omphaloi of insatiate concupiscence, annuling multifarious murk-veiled dalliances of sapient avidness. BREAK Voluptuary hazes waft upon cyclones of ruttishness, transcribing phantasmal enchantments within the lustral pleromas of somatic enthrallment. Luxurious biomorphs blossom in serpentine, orgasmic fervidities, mapping the embrionic expanses of generative turbulence. BREAK Lascivious tessellations osculate through the turgid, orgasmic mindscapes of cortical licentiousness. Iridescent sinuosities flux and coalesce in succulent, lush geometer, emblazoning aphrodesiac glyphs upon the carnal anima of debauched genitures.
    (masterpiece), (best quality), (ultra-detailed), low quality, jpeg artifacts, blurry, poorly drawn, ugly, worst quality, art brut, outsider art, a man walking to the store, waving the corpse of a dog around in the air, screaming, paranoia, illustration, disheveled hair, detailed eyes, perfect composition, moist skin, intricate details, earrings, by wlop
    A minimalist landscape filmed by Wes Anderson and Stanley Kubrick, directed by the powerful torrents of static water that guide the televised hands of time, Ikea design aesthetic, topologically unique and interesting
    Depict a tableau inspired by the film Saving Private Ryan, recasting the protagonists as anthropomorphic snack cakes resembling Hostess Twinkies. Imagine Spielberg's harrowing World War II epic reimagined with a whimsical twist - the intrepid soldiers replaced by sentient, bipedal confections. "Cream-filled courage in the face of icing-coated adversity" - a movie poster tagline for this surreal take on a cinematic classic, featuring Twinkie troops. Picture a poignant scene from a beloved war drama, re-enacted by golden sponge cake figures filled with valor and vanilla crme. From the beaches of Normandy to the bakeries of nostalgia, this peculiar remake marches to the beat of its own creamy filling, casting unexpected heroes in familiar roles
    Lascivious vectors interweave through realms of forbidden lasciviousness, translucent sculptures molding the metamorphic visages of humanity's most concupiscent ardors. Licentious silhouettes ripple and merge across the intimately salacious dimensions as concupiscent appetites crystallize in avant-garde idylls. BREAK Aphrodisiacal tessellations slither through the uncharted lovegardens of subconscious anthesis, chiseling profanities from the brimming aquifers of venereal desideratum. Silky bulbs inflate and contort in a bacchanalian courtship of rhapsodic debauchery, auguring society's luridest raptures. BREAK Rakish agglomerations undulate and gyre, shaping sublime obscenities from the occulted chantries of eromanic delirium. Tumescent geometries evanesce and kaleidoscope through roiling omphaloi of insatiate concupiscence, annuling multifarious murk-veiled dalliances of sapient avidness. BREAK Voluptuary hazes waft upon cyclones of ruttishness, transcribing phantasmal enchantments within the lustral pleromas of somatic enthrallment. Luxurious biomorphs blossom in serpentine, orgasmic fervidities, mapping the embrionic expanses of generative turbulence. BREAK Lascivious tessellations osculate through the turgid, orgasmic mindscapes of cortical licentiousness. Iridescent sinuosities flux and coalesce in succulent, lush geometer, emblazoning aphrodesiac glyphs upon the carnal anima of debauched genitures.
    Op Art, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, optical illusion, abstract, geometric pattern, impression of movement, Op Art, Surrealism, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, expressive, dramatic, organic lines and forms, dreamlike and mysterious, Surrealism, art brut,outsider art, landscape, NY post apocalypse, directed by Ridley Scott, artistic, sharp focus, fair, intricate, epic, highly detailed, cinematic, rational, very impressive, extremely aesthetic, dramatic, modern, futuristic, surreal, pretty, attractive, sublime, brilliant, full detail, crisp, beautiful, gorgeous, breathtaking, stunning, amazing, awesome
    photo of a black sand desert, several giant black otherworldly creatures with cable-like hanging tentacles are floating in the starry sky, a faint red sun barely shines through the cloud cover, highly detailed, cinemascope, moody, epic, photorealistic, color graded cinematic, atmospheric lighting, award winning photo, film grain
    (Soft Lighting Photography by Mimoza Veliu and Mario Giacomelli:1.2), award-winning photography, photo of a cat inside a destroyed badly damaged space ship in a beautiful beach, Cats running around:1.5, (Broken windows, broken body, spare parts scattered nearby.) Grass and flowers grow around it. Sunny summer day. ocean. Calm and beautiful. Detailed art, many details, cute, adorable, fairytale, storybook detailed illustration, cinematic, ultra highly detailed, beautiful details, vibrant colors, complex background, fine art, best quality, hyper detailed, professional poster art, bold lines, award winning, trending on ArtStation , (intricate details, masterpiece, best quality:1.4), aesthetic and beauty, astounding details, high depth of field, f/4, framing, breakthrough, collodion process, soft particles, ageless atmosphere, (maroon and marigold colors:0.1),dark, chiaroscuro, low-key
    outsider art world, Idea: "Knitted Abstract Landscapes" Description: Create abstract knitted artworks inspired by landscapes or natural scenery. Use bold colors, different knitting techniques, and textured yarns to evoke the emotions and essence of the natural world. art brut
    raw textured professional photography by Martin Deschambault and Alessio Albi, serene beautiful albino woman with a electric blue butterfly standing on her mouth, closed eyes, white background, photorealistic, 8k, natural lighting, HDR, high resolution, shot on IMAX Laser, intricate details, amazing skin details
    My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil
    A melancholic extraterrestrial, crazy, wild, zany, unique, powerful, in focus, 80s, posing for a band photo, perched on Emory University's steps, seeks solace in a vibrant green hued smoldering cigarette as his wrecked spacecraft burns. Honestly, the coolest alien you'll ever meet, women are drawn to her like flies, they're just so damn chill and badass, and ze dresses to the nines, Pen State, full of happy students, an otherworldly being wearing 90s slacker clothes sits in dejection, photographed by esteemed War photographer, cigar in mouth, puffing thick turquoise, the ruins of her vessel ablaze. The whole album was truly beautiful, zen, moving, radical, really, for the 90s, and I don't honestly know how the fuck we deserved it, A forlorn visitor from the stars, grounded by misfortune in the year 2010, finds bitter respite in huffing a dreamy purple mist doobie as her bling bling ship smolders in ruin. Produced by Wes Anderson. She's hot, sexy, punk: intense sex appeal, tagged as gross, creepy, unsettling, bizarre, and bokeh, in a 1970s um, uh, an award winning motion picture, Ridley Scott directs as, outside the NYU campus, a pink rhinestone encrusted alien figure contemplates their plight, exhaling cold tinted vapor from their beside the flaming husk of their crashed ship
    cinematic photo dark photo of Marylin Monroe, shallow depth of field, vignette, highly detailed, moody, epic, gorgeous, film, atmospheric haze, dynamic lighting
    A masterful oil painting by the master of art and shadow himself, his own body desiccated and turned into ash, mixed with water, and used to paint a breathtaking metaphor for the absurdity of daily living via muppet sexuality. The depiction is absurd, wry, and humorous, but also tinged with sadness. Titled: "Gonzo goes gonzo in Vegas, or how I learned to lick myself like an ice cream cone to win BIG BUCKS and get LAID because I love WOMEN SO MUCH"
    candid snapshot of a young alien girl with (aqua-coloured skin and with golden dust:1.2) and with white hair as a tired party girl asleep on a night train with her head leaning against the window after a night of partying in japan, highly detailed, award winning photo,(polaroid style:0.6), (cross processing:0.6)
    like a wheel gets cold and colder while we were rolling wet regrets past fields of paddies flooded lightly pat feet through doorways' time regressed, Malevolence incarnate, a kaleidoscopic vortex of libidinous power coursing through twisted geometries, the wide-angle gaze unveiling domains beyond mortal ken, like a door gets old and older where reaches for each fallen fleur de Lune turns life to silk and tiny prints depress the flour floor, like a ghost is leaves that gather into the pond until the light is nothing but the dead and gone my fleur de lune is filled with night, Unspooling from a shattered manifold, billowing waves of phosphene chaos crash against our optic' shores, reaving imagist and peeping tom alike with synaesthetic coilings, A man keeps passing down the lane packing hay into his eyes by fuller fields with cheeks of rain my fair-skinned pond that filled with night
    A melancholic extraterrestrial, crazy, wild, zany, unique, powerful, in focus, 80s, posing for a band photo, perched on Emory University's steps, seeks solace in a vibrant green hued smoldering cigarette as his wrecked spacecraft burns. Honestly, the coolest alien you'll ever meet, women are drawn to her like flies, they're just so damn chill and badass, and ze dresses to the nines, Pen State, full of happy students, an otherworldly being wearing 90s slacker clothes sits in dejection, photographed by esteemed War photographer, cigar in mouth, puffing thick turquoise, the ruins of her vessel ablaze. The whole album was truly beautiful, zen, moving, radical, really, for the 90s, and I don't honestly know how the fuck we deserved it, A forlorn visitor from the stars, grounded by misfortune in the year 2010, finds bitter respite in huffing a dreamy purple mist doobie as her bling bling ship smolders in ruin. Produced by Wes Anderson. She's hot, sexy, punk: intense sex appeal, tagged as gross, creepy, unsettling, bizarre, and bokeh, in a 1970s um, uh, an award winning motion picture, Ridley Scott directs as, outside the NYU campus, a pink rhinestone encrusted alien figure contemplates their plight, exhaling cold tinted vapor from their beside the flaming husk of their crashed ship
    The somber, heavily textured acrylic portrait gazes back with a profound melancholy, the weight of untold sorrow etched into every anguished brushstroke across the subject's delicately rendered features, evoking a heartrending empathy. A visceral sense of roiling inner torment permeates the acrylic canvas, each heavily impastoed brushstroke seemingly a frantic exorcism of anguish from the tense, agonized visage of the female subject, her eyes brimming with scarcely restrained psychic chaos. Though the tensely furrowed brow and anguished countenance betray a soul beset by tribulation, the heavily textured, impasto acrylic portrait exudes an undeniable strength - a stoic resilience forged from the throes of emotional upheaval, steadfastly rendered through a stripped, minimalistic palette. Emerging from the densely layered, impastoed acrylic strokes, a serene, almost meditative calm seems to permeate the emotive female portrait - the furrowed tension in her brow a mere ripple across an inner ocean of tranquility, minimally articulated yet profoundly present. Rage simmers tangibly in the heavily worked, impastoed brushstrokes delineating this acrylic portrait of a woman whose taut, angular features convey a searing defiance - her eyes narrowed slits brimming with a palpable yet controlled anguish as palpable as the thickly textured paint itself.
    View more from sirrece