7Zack
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    <lora:FrutigerAero:1> Frutiger aero style, (Coconut:1. 5), splashes of water, sun flare, shiny, wet, water, bubbles, masterpiece, high quality, best quality, 4k, 8k, detailed, <lora:epiCRealismHelper:0. 8>

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    ugly, blurry, low quality, worst quality, CyberRealistic_Negative-neg, ugly coconut, layered coconut, BadDream

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    More prompts from 7Zack

    architectural photography, detailed, professional photography, Contemporary house in a snowy forest, triangular shaped, large porch, outdoor lighting, cozy, window lit, <lora:iphone-dev-6:1> iphone photo
    nyc taxi, art, pop art, <lora:Hiroshi_Nagai_Style_Pop_Art:1>
    The image portrays a nighttime forest scene with a dark, moody atmosphere. The central focus is a burrow embedded into a sloping hill, its entrance shrouded in blackness, where small fox cubs are huddled together, their golden silhouettes barely visible in the darkness. At the mouth of the burrow, a mother fox stands defiantly, her body tense and poised to defend her young. (Surrounding her, several wolf-like figures lurk on the grassy terrain. Their aggressive postures suggest movement, their limbs rigid and poised as if preparing to attack. Though simple in form, the wolves' presence conveys a clear menace, their positioning closing in around the mother fox. The background consists of tall, spindly trees with jagged, dark trunks, their branches reaching upward, framing the scene ominously. Dense bushes and undergrowth further enhance the secluded, deep-forest setting. At the top of the hill, a lone, ghostly figure stands motionless, its pale form contrasting against the dark backdrop, adding an eerie, watchful presence. The color palette is dominated by deep greens, browns, and blacks, reinforcing the night-time setting and heightening the tension of the confrontation. <lora:OB中世纪油画v1.1:1> OByouhua, oil painting
    fashion catwalk, lighting, photo, HD, 4k, full body, Women wearing puffy and furry cream colored natural jacket, black leather pants, brown fur boots, fur hat, <lora:iphone-dev-7:1> iphone photo
    Cinematic scene of a pirate taking a break under the roof of a bar, wearing colonial pirate outfit, brown clothing, long beard, tired eyes, messy face. Raining. Carribean town on the coast, wooden shacks, palm trees, cloudy, storming, <lora:Dark Cinematic:0.5> DRK , <lora:detailed_v2_flux_ntc:1>
    video game screenshot of a 3rd person view of a knight wearing a shiny armor and walking in a dark forest, 3d graphics, circular mini map on bottom left , health bar at the bottom, and the right shows a sword icon as the equipped item, video game style, <lora:N64_Game_Style_F1D:1> n64style, flat lighting, low resolution, crt scanlines, low poly
    Cinematic scene of a dystopian cityscape with skyscrapers, industrial vibes, cloudy sky, snow on the ground, semi futuristic delivery truck parked, truck's back door is opened full with boxes, garage door opened, unloading boxes, men in blue unform holding box in hand luxurious and art deco while yet dystopian. <lora:80s_Fantasy_Movie:1> ArsMovieStill, 80s Fantasy Movie Still
    cinematic scene of a dystopian market vendor, a vendor stand behind the counter wearing dark hoodie, bored expression, tired eyes, , the counter is cluttered with bottles, papers, screws, guns, in the back is shelf cluttered with tools, supplies, canned food, a light bulb hangs from above giving the space light, <lora:CinematicStyleFlux_v1:1> <lora:Dark Cinematic:1> DRK ,
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting deep dark ocean, a scuba diver swimming underwater, in the distance a giant large sea monster with 2 ears, round mouth and teeth, it is slightly visible but not fully, <lora:Dark Cinematic:0.5> DRK
    <lora:Flux_-_Renaissance_art_style:1> In a moody, cinematic oil painting, a lone monk sits hunched over a heavy wooden table in the dimly lit chamber of a medieval castle, deep in quiet contemplation. Dressed in a coarse, earth-toned brown wool robe, its simple folds draping over his seated form, he carefully inscribes words into a large, leather-bound manuscript with a quill, the delicate scratching of ink against parchment the only sound in the hushed room. His face, partially obscured by the flickering glow of a single beeswax candle, bears an expression of quiet focus—aged, lined with wisdom, yet softened by the warm light. The small stone chamber is shrouded in deep shadows, its cold gray walls lined with aged wooden shelves, stacked with dusty tomes, rolled parchments, and glass ink bottles. The rough stone floor is strewn with a few scattered pages, some crumpled, some carefully set aside, evidence of long hours spent in scholarly devotion. Behind him, an old wooden stool, slightly uneven from years of wear, creaks softly as he shifts his weight. (A small, narrow window, set high into the thick castle walls,:1.2) allows a faint sliver of moonlight to stream in, casting a cool blue contrast against the golden glow of the candle. Beyond the window, the rolling European countryside stretches out in the misty night, the gentle contours of distant hills and winding roads barely visible under the dim glow of the stars. A lone church spire rises in the far distance, a silent reminder of the world beyond these ancient stone walls. The air is heavy with the scent of melted wax, old parchment, and damp stone, a sensory reflection of the solitude and devotion that define the monk’s world. The scene captures an almost timeless moment—a solitary figure lost in thought, his work illuminated by fragile light, his mind wandering between scripture, philosophy, and the mysteries of the written word.
    <lora:Flux_-_Renaissance_art_style:1> In a striking cinematic widescreen shot, an American frontiersman of the 1800s stands boldly in the heart of a dense American woodland, exuding rugged confidence and an untamed spirit. Dressed in a thick, weathered fur coat, stitched together from pelts of wolf and deer, he braves the crisp autumn air. A raccoon fur hat, its striped tail draped down the back of his neck, sits atop his unkempt, windblown hair. His chiseled face, partially shadowed by the golden light filtering through the towering oak and maple trees, bears the hard-earned grit of a man who has lived by his wits and his rifle. He grips a well-worn flintlock musket, the polished wooden stock gleaming subtly in the dappled sunlight. The long barrel catches the warm hues of the afternoon sun, a tool of both survival and mastery. His worn leather boots press firmly into the earth, one foot resting atop a moss-covered fallen log, giving him a stance of quiet dominance over the wilderness. The forest around him is alive with the rich, untamed beauty of the American frontier. The golden and fiery-red leaves of autumn rustle in the wind, some drifting to the ground in a slow, graceful descent. A distant hawk circles overhead, its piercing cry echoing through the trees. The earthy scent of damp soil, pine, and woodsmoke lingers in the crisp air, hinting at a nearby camp where embers still smolder. In the background, a meandering creek glistens in the fading light, its surface occasionally broken by the leap of a trout. A set of fresh deer tracks in the soft mud hints at prey nearby, yet the hunter remains still, scanning the horizon with the practiced gaze of a seasoned outdoorsman. His expression is both wary and determined—a man shaped by the land, bound to the untamed wilds of early America. The moment is frozen in time, capturing the essence of a frontier hunter’s life—solitary, unforgiving, yet undeniably majestic.
    <lora:Studio_Ghibli_Flux:1> ghiblistyle, ariel view of a swedish town, farmland surrounding it, river, train track, train, blue sky clouds, steampunk blimp in background
    medieval European plague doctor, beaked mask, black robe, background of a dark dungeon, holding a lantern in hand, light from lantern beams on mask, mysterious, spooky, scare, dark fantasy style, inspired by Hieronymus Bosch, eerie atmosphere, detailed, dramatic lighting, shadows, gothic, sinister, unsettling, intricate textures, historical, haunting, grim, intense contrast, atmospheric, expressive, macabre, nightmarish, medieval architecture, unsettling beauty, evocative, immersive,
    Train Skyscrapers Cinematic scene of a art deco train arriving into station, in background is a dystopian cityscape with skyscrapers, industrial vibes, cloudy sky, snow on the ground, boxes, stockpiled supplies, railways, <lora:80s_Fantasy_Movie:1> ArsMovieStill, 80s Fantasy Movie Still
    Cinematic scene of the back of a solider standing in shock looking up, pistol in hand to the side, in the sky is a giant 1920s military blimp on fire and falling down, particle and pieces from the blimp falling down, smoke, war scene, fire, destruction, directed by Wes Anderson <lora:Dark Cinematic:1> DRK
    fashion catwalk, lighting, photo, Women wearing white box shaped outfit, round afro hair, black skin,
    sharply dressed man stands confidently near a floor-to-ceiling window, his tailored suit accentuating his commanding presence. With his hands clasped firmly behind his back, he gazes intently at the sprawling industrial complex stretching out beneath him. Outside, the early evening light casts a dramatic glow across the landscape, illuminating the towering smokestacks that punctuate the horizon like giants, exhaling plumes of thick, dark smoke that swirl lazily into the dusky sky. The metallic structures of the factory glisten with a steely sheen, reflecting the fading sunlight and contrasting sharply against the deepening blue of the evening. In the background, the hum of machinery and the distant clatter of workers echo softly, filling the air with a sense of industrious energy. The scent of burning oil and heat mixes with the cool breeze filtering through the open window, creating a tactile sensation that is both invigorating and slightly oppressive. The man’s expression is enigmatic—a blend of resolve and contemplation—as he considers the vastness of the industrial world below, pondering his next move amidst the cacophony of human endeavor, his sharp gaze fixed on the horizon where ambition meets opportunity. The scene is tinged with an air of anticipation, each moment waiting to unfold with the possibilities that lie just out of sight. <lora:Phlux:0.5> <lora:CinematicStyleFlux_v1:1>
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