null understand the world

    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. DOF. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. DOF. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Roxetta, <lora:Roxetta-Shurikv15:1>, In the gloomy ambiance of an era marred by prohibition, a formidable female mob boss finds herself in the back of a police car, raindrops trailing down the window, as the world outside seems to reflect the turmoil within. (Best quality: 1.3) Despite her current predicament, her composed demeanor and unwavering gaze reveal a steely resolve that matches the storm brewing both inside and outside the vehicle. (Masterpiece: 1.3) The dim lighting casts shadows upon her face, creating an air of mystery and intrigue, while the rain-soaked window adds a layer of melancholy to the scene. (8K: 1.2) The high-resolution imagery captures every detail, from the glint of raindrops on the window to the subtle expressions that flicker across her face. (Close-up shot style: 1.4) The camera zooms in, focusing on her resolute eyes, perhaps reflecting a deep understanding of the dangerous game she plays, and the determination to maintain her authority in the face of adversity. (Realistic art style: 1.3) The artwork captures the essence of a powerful woman entangled in the complexities of the criminal underworld during a time of societal upheaval. With her commanding presence and unwavering composure, she becomes a symbol of resilience and ambition in a world dominated by men. The image encapsulates the contrast between the harsh realities of her situation and the indomitable spirit that propels her forward. It serves as a reminder of the power and strength that can be found even in the most challenging circumstances. (Full body: 1.2)
    Roxetta, <lora:Roxetta-Shurikv15:1>, In a world of silent gestures and exaggerated expressions, a female mime finds herself in a state of utter confusion, her face contorted with bewilderment. (Best quality: 1.3) Her white-painted face, adorned with a traditional mime's black and red makeup, amplifies the emotions she portrays. (Masterpiece: 1.3) Despite her best efforts to communicate through gestures and physicality, her perplexed expressions convey a sense of frustration and uncertainty. (Detailed: 1.2) Her body language is filled with exaggerated movements and puzzled gestures, as if searching for answers in an invisible maze. (Soft: 1.4) The lighting adds a touch of drama, casting shadows that mimic the complexity of her thoughts. (Close-up shot style: 1.3) The camera zooms in, capturing the intricate details of her face, revealing the depth of her confusion through every furrowed brow and contorted expression. (Realistic art style: 1.2) The artwork portrays her as a symbol of the human struggle to comprehend the mysteries of life, reminding us that even in the absence of words, confusion is a universal experience. The image serves as a visual representation of the complexity of emotions and the sometimes futile attempts to understand the world around us. Through her performance, she invites us to reflect on the enigmatic nature of existence and the shared experiences that connect us all. (Full body: 1.3)
    Striking illustration. Moonlight. Dramatic lighting. Chiaroscuro. Dynamic composition. Tension. And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. Intricate fur. Expressive eyes. Fangs. (((Haunting. Merciless. Sublime. Horror. Eerie. Unsettling. Disturbing. Indifferent stare. Predatory.))) otclillsn intricate colors, vibrant colors, color detail Cinematic Vintage Hollywood Film Style Inspired by Werner Herzog. Chiaroscuro Lighting Style Surrealism style in the style of neil-krug
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Roxetta, <lora:Roxetta-Shurikv15:1>, In a bustling college campus, a determined young woman pursues her studies in gender studies, driven by a passion for understanding the intricacies of human identity and societal structures. (Best quality: 1.3) With her dedication and intellectual curiosity, she delves deep into the complex realms of gender, challenging existing norms and seeking to create a more inclusive and equitable world. (Masterpiece: 1.3) Despite the uncertainties surrounding future job prospects, her focus lies not in conventional career paths but in the pursuit of knowledge and social change. (Detailed: 1.2) Engaging in thought-provoking discussions and participating in activism, she becomes an advocate for marginalized communities and a voice for those whose stories have been overlooked. (Soft: 1.4) Her commitment to understanding diverse perspectives and promoting inclusivity shines through her interactions with fellow students and faculty members. (Close-up shot style: 1.3) The camera zooms in, capturing the genuine enthusiasm and intellectual spark in her eyes as she engages in meaningful conversations about gender, identity, and social justice. (Realistic art style: 1.2) The artwork portrays her as a young woman embracing the power of education and critical thinking, unafraid to challenge the status quo and determined to make a positive impact. While her future job prospects may be uncertain, her passion for social change and her ability to critically analyze societal structures hold the potential to influence and shape the world around her. The image encapsulates the spirit of activism, reminding us of the importance of pursuing knowledge for the betterment of society, even if it diverges from traditional career paths. (Full body: 1.3)
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Roxetta, <lora:Roxetta-Shurikv15:1>, In a bustling college campus, a determined young woman pursues her studies in gender studies, driven by a passion for understanding the intricacies of human identity and societal structures. (Best quality: 1.3) With her dedication and intellectual curiosity, she delves deep into the complex realms of gender, challenging existing norms and seeking to create a more inclusive and equitable world. (Masterpiece: 1.3) Despite the uncertainties surrounding future job prospects, her focus lies not in conventional career paths but in the pursuit of knowledge and social change. (Detailed: 1.2) Engaging in thought-provoking discussions and participating in activism, she becomes an advocate for marginalized communities and a voice for those whose stories have been overlooked. (Soft: 1.4) Her commitment to understanding diverse perspectives and promoting inclusivity shines through her interactions with fellow students and faculty members. (Close-up shot style: 1.3) The camera zooms in, capturing the genuine enthusiasm and intellectual spark in her eyes as she engages in meaningful conversations about gender, identity, and social justice. (Realistic art style: 1.2) The artwork portrays her as a young woman embracing the power of education and critical thinking, unafraid to challenge the status quo and determined to make a positive impact. While her future job prospects may be uncertain, her passion for social change and her ability to critically analyze societal structures hold the potential to influence and shape the world around her. The image encapsulates the spirit of activism, reminding us of the importance of pursuing knowledge for the betterment of society, even if it diverges from traditional career paths. (Full body: 1.3)

      epiCRealism XL

    • VXVI - LastFAME (Realism) - epicrealismXL_vxviLastfameRealism.safetensors
    • VXVI - LastFAME DMD2 (Realism) - epicrealismXL_vxviLastfameDMD2.safetensors
    • VX.1-FinalKiSS - epicrealismXL_vx1Finalkiss.safetensors
    • VXI-aBEAST - epicrealismXL_vxiAbeast.safetensors
    • VXV-ANewStory (Realism) - epicrealismXL_vxvAnewstoryRealism.safetensors
    • VXIV-EyeCandy (Realism) WiP - epicrealismXL_vxivEyecandyRealism.safetensors
    • VXIII-aB3AST - epicrealismXL_vxiiiAb3ast.safetensors
    • VXII-aBEA2T - epicrealismXL_vxiiAbea2t.safetensors
    • ⚡ VXI-aBEAST_4S_Lightning - epicrealismXL_VXIAbeast4SLightning.safetensors
    • V8-KiSS - epicrealismXL_v8Kiss.safetensors
    • VX-FinalKiSS - epicrealismXL_vxFinalkiss.safetensors
    • V9-UnFlux - epicrealismXL_v9Unflux.safetensors
    • V7-Final Destination - epicrealismXL_v7FinalDestination.safetensors
    • V6-Miracle VAE fix - epicrealismXL_v6MiracleVAEFix.safetensors
    • V6-Miracle - epicrealismXL_v6Miracle.safetensors
    • V5-Ultimate - epicrealismXL_v5Ultimate.safetensors
    • V4-PhotoReal - epicrealismXL_v4Photoreal.safetensors
    • V3 - Leo - epicrealismXL_v3Leo.safetensors
    • V2 WiP - epicrealismXL_v2Wip.safetensors
    • v1.1 - epicrealismXL_v11.safetensors
    • v1.0 - epicrealismXL_v10.safetensors

      epiCRealism

    • Natural Sin RC1 VAE - epicrealism_naturalSinRC1VAE.safetensors
    • Natural Sin - epicrealism_naturalSin.safetensors
    • pure Evolution V5 - epicrealism_pureEvolutionV5.safetensors
    • pure Evolution V5-inpainting - epicrealism_pureEvolutionV5-inpainting.safetensors
    • Natural Sin RC1 - epicrealism_naturalSinRC1.safetensors
    • pure Evolution V4 - epicrealism_pureEvolutionV4.safetensors
    • pure Evolution V3 - epicrealism_pureEvolutionV3.safetensors
    • pure Evolution V3.5 Colorfix - epicrealism_pureEvolutionV35.safetensors
    • pure Evolution V3-inpainting - epicrealism_pureEvolutionV3-inpainting.safetensors
    • pure Evolution V2 - epicrealism_pureEvolutionV2.safetensors
    • pure Evolution - epicrealism_pureEvolution.safetensors
    • pure Evolution-inpainting - epicrealism_pureEvolution-inpainting.safetensors
    • new Century - epicrealism_newCentury.safetensors
    • new Era - epicrealism_newEra.safetensors
    • new Age - epicrealism_newAge.safetensors
    • v1 - epicrealism_v1.safetensors
    • v1-inpainting - epicrealism_v1-inpainting.safetensors
    • v1-pix2pix - epicrealism_v1Pix2pix.safetensors