null one corner

    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    ((Introduce quality iteratively))((photographic visual where technology allows you to re-live any day you lived before with the ability to adapt your experience as one does with a lucid dream, just more completely real to you))(single light source towards the viewer))(sharpness)(abysmal black point)(art of genius)(elegant gradients)((eloquent colors)(complementary saturated hues))((dark corners vignette))f(x) <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    High detail RAW color, DSLR BREAK, a woman sits on her bed in her side in one corner of her bedroom, wearing a rock band t-shirt from the 80s, her bedroom is filled with the atmosphere of the 80s, On the wall, posters of iconic rock bands such as Guns N' Roses, Queen, Bon Jovi, or AC/DC, the shelves filled with tapes (close up:1.2), (masterpiece, extremely detailed skin, photorealistic, heavy shadow, dramatic and cinematic lighting, key light, fill light), sharp focus <lora:epiCRealismHelper:1.0>
    ((Introduce quality iteratively))((photographic visual where technology allows you to re-live any day you lived before with the ability to adapt your experience as one does with a lucid dream, just more completely real to you))(single light source towards the viewer))(sharpness)(abysmal black point)(art of genius)(elegant gradients)((eloquent colors)(complementary saturated hues))((dark corners vignette))f(x) <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    An instagram quality photo, flux-style: The inside of the cabin is dimly lit, the air thick with the scent of aged wood and dust. Sunlight streams weakly through the gaps in the boarded-up windows, illuminating motes of dust dancing in the air. The main room is sparsely furnished: a worn sofa sits against one wall, its fabric faded and stained. A rickety wooden table and two mismatched chairs occupy the center of the room. The walls are paneled with dark, knotty pine, giving the space a claustrophobic feel. Cobwebs cling to the corners of the ceiling, and the floorboards creak ominously underfoot. A small, antiquated kitchen area is tucked into one corner, featuring a vintage stove and a chipped porcelain sink. The countertops are stained and cluttered with remnants of previous occupants. A narrow doorway leads to what appears to be a bedroom. The door hangs slightly ajar, revealing a glimpse of a rumpled mattress and a pile of discarded clothing. The overall impression is one of neglect and disrepair, a stark contrast to the vibrant life you left behind in the city. But it is yours, and you are determined to make it a home. casting shadow style ais-webz cabin, haunted, , fog, wherehouse, hoverlook, lake, spooky, creepy, Jason, abandoned, balloon, carousel, park, school,mask, hotel, mountain, buildings, claws, fear, dread, anguish
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    Here is a comprehensive and creative prompt to elicit an exquisite artwork from stable diffusion models: "Envision a futuristic cityscape that is both dystopian and utopian, where technological advancements have transformed the urban landscape into a marvel of modernity. The scene takes place on a warm summer evening, with the sun dipping below the horizon casting a warm orange glow over the city. The city itself is a sprawling metropolis, comprising towering skyscrapers made from gleaming metallic materials that seem to defy gravity. These structures are interconnected by a network of elevated walkways and monorails, creating an intricate web of movement and life within the city. At the heart of this futuristic metropolis lies the 'Hub', a grand central square surrounded by gleaming spires and majestic skyscrapers. This is where the city's inhabitants gather to socialize, exchange ideas, and marvel at the technological wonders that surround them. In the foreground of the image, we see a young woman with striking blue hair styled in a futuristic manner, standing on the edge of the Hub, looking out at the city with an air of curiosity. Her eyes are fixed on a massive holographic projection hovering above the square, displaying a mesmerizing display of swirling colors and patterns. Meanwhile, in the background, we see towering skyscrapers that appear to be made from crystal-like structures, their facets reflecting the light of the setting sun, casting an ethereal glow over the city. In one corner of this scene, you can see a group of robots with sleek metallic bodies, working together to construct new buildings and infrastructure. The color palette should consist mainly of blues and purples, reflecting the futuristic and technological aspects of the scene. However, subtle hints of green and orange should also be present, symbolizing growth and harmony within this dystopian utopia. In terms of composition, consider using a combination of symmetrical elements to create a sense of order and balance in the image. The Hub square at the center of the city should serve as a focal point, drawing attention towards the futuristic skyscrapers surrounding it. At the same time, allow for subtle asymmetries to exist throughout the scene, hinting at an underlying chaos that underscores this utopian dystopia. As for lighting, take advantage of the warm orange glow from the setting sun to create a sense of depth and dimensionality in the image. Consider using shadows to add texture and interest to the metallic surfaces of the skyscrapers, while also highlighting the futuristic aspects of the city. Finally, do not hesitate to incorporate subtle details or narrative elements within this scene that reveal the story behind this futuristic metropolis. For example, you could include hints of an underground world where rebellious factions secretly operate, or a group of artists creating street art on the walls of the skyscrapers."
    Here's a rewritten version of your prompt that incorporates the creative points you mentioned: "Create an abstract photograph that combines intricate patterns, vibrant colors, and geometric shapes to produce a visually captivating piece. The image should evoke a sense of dynamism and energy. The scene is set against a deep blue background with swirling clouds of orange and yellow hues. In the foreground, there are several transparent glass bottles filled with different liquids, each containing unique patterns of glittering silver dust. These bottles are suspended from thin threads that appear to be woven together in an intricate pattern. One bottle contains a clear liquid with tiny shimmering particles that reflect light, while another contains a thick, dark liquid with swirling shapes of iridescent colors. Another bottle has a cloudy liquid with tiny bubbles and streaks of gold dust. The bottles themselves should have unique shapes, such as one being spherical and the other resembling an hourglass. The threads holding them together can be woven in various patterns to create a sense of movement and fluidity. In the upper left corner of the image, there is a small, delicate flower made from iridescent glass petals that seem to be suspended in mid-air by invisible forces. This flower should have intricate details such as veins and textures. The atmosphere should be one of calmness yet tension, as if the bottles are about to break free from their threads and create chaos. The lighting should be soft but with subtle highlights on the liquids within the bottles. Colors should be bold and vibrant, with contrasting shades of blue and yellow, orange and green. There should also be a sense of depth and dimensionality in the image. Finally, leave some creative freedom for the model to decide how to depict the background and any other elements that might add more interest or complexity to the scene."
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    ((Introduce quality iteratively))((photographic visual where technology allows you to re-live any day you lived before with the ability to adapt your experience as one does with a lucid dream, just more completely real to you))(single light source towards the viewer))(sharpness)(abysmal black point)(art of genius)(elegant gradients)((eloquent colors)(complementary saturated hues))((dark corners vignette))f(x) <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    High detail RAW Photo, DSLR BREAK, a woman sits on her bed in her side in one corner of her bedroom, wearing a rock band t-shirt from the 80s, her bedroom is filled with the atmosphere of the 80s, On the wall, posters of iconic rock bands such as Guns N' Roses, Queen, Bon Jovi, or AC/DC ((close up:1.2)) ((looking at camera)), the shelves filled with tapes, (masterpiece, extremely detailed skin, photorealistic, heavy shadow, dramatic and cinematic lighting, key light, fill light), sharp focus
    Specular glossy Lomography((Introduce quality iteratively))((Don't you understand what I'm trying to say? Can't you feel the fears I'm feeling today? If the button is pushed, there's no runnin' away. There'll be no one to save with the world in a grave. Take a look around you man, it's bound to scare you, man. And you tell me, Over and over and over again, my friend, How you don't believe We're on the eve of destruction))((evocative depth of field)(absolute sharpness)(true black point)(art of genius)(relativistic gradients)((vibrant colorful saturated hues))((dark corners vignette))(introduce sharpness) Proclamation 2040 into 48 STAT 1, TITLE I, SECTION 1 amended 2b of TWEA, 12 U.S. Code 95b = all enemies are mortal enemies, all war is total war, with only one crime possible, losing. <lora:LCM-LoRA-XL_V1:0.21> <lora:SDXLHighDetail_v5:0.3>
    An instagram quality photo, flux-style: The inside of the cabin is dimly lit, the air thick with the scent of aged wood and dust. Sunlight streams weakly through the gaps in the boarded-up windows, illuminating motes of dust dancing in the air. The main room is sparsely furnished: a worn sofa sits against one wall, its fabric faded and stained. A rickety wooden table and two mismatched chairs occupy the center of the room. The walls are paneled with dark, knotty pine, giving the space a claustrophobic feel. Cobwebs cling to the corners of the ceiling, and the floorboards creak ominously underfoot. A small, antiquated kitchen area is tucked into one corner, featuring a vintage stove and a chipped porcelain sink. The countertops are stained and cluttered with remnants of previous occupants. A narrow doorway leads to what appears to be a bedroom. The door hangs slightly ajar, revealing a glimpse of a rumpled mattress and a pile of discarded clothing. The overall impression is one of neglect and disrepair, a stark contrast to the vibrant life you left behind in the city. But it is yours, and you are determined to make it a home. casting shadow style ais-webz
    Photograph of One short thin female with two tone ((( yellow hair and black hair colour))), pale, vampire fangs, Cruella, vampire , wearing glasses, mouth closed, 30 years old, wearing purple Viktor and Rolf style clothes with pink accents, in club, open eyes, high fashion, imperious, shoulder pieces. Half of her hair is black and half of her hair is yellow. Big hair, drop of blood from corner of mouth, photorealistic , nighttime, closed mouth, open eyes
    An instagram quality photo, flux-style: The inside of the cabin is dimly lit, the air thick with the scent of aged wood and dust. Sunlight streams weakly through the gaps in the boarded-up windows, illuminating motes of dust dancing in the air. The main room is sparsely furnished: a worn sofa sits against one wall, its fabric faded and stained. A rickety wooden table and two mismatched chairs occupy the center of the room. The walls are paneled with dark, knotty pine, giving the space a claustrophobic feel. Cobwebs cling to the corners of the ceiling, and the floorboards creak ominously underfoot. A small, antiquated kitchen area is tucked into one corner, featuring a vintage stove and a chipped porcelain sink. The countertops are stained and cluttered with remnants of previous occupants. A narrow doorway leads to what appears to be a bedroom. The door hangs slightly ajar, revealing a glimpse of a rumpled mattress and a pile of discarded clothing. The overall impression is one of neglect and disrepair, a stark contrast to the vibrant life you left behind in the city. But it is yours, and you are determined to make it a home. casting shadow style ais-webz
    An instagram quality photo, flux-style: The inside of the cabin is dimly lit, the air thick with the scent of aged wood and dust. Sunlight streams weakly through the gaps in the boarded-up windows, illuminating motes of dust dancing in the air. The main room is sparsely furnished: a worn sofa sits against one wall, its fabric faded and stained. A rickety wooden table and two mismatched chairs occupy the center of the room. The walls are paneled with dark, knotty pine, giving the space a claustrophobic feel. Cobwebs cling to the corners of the ceiling, and the floorboards creak ominously underfoot. A small, antiquated kitchen area is tucked into one corner, featuring a vintage stove and a chipped porcelain sink. The countertops are stained and cluttered with remnants of previous occupants. A narrow doorway leads to what appears to be a bedroom. The door hangs slightly ajar, revealing a glimpse of a rumpled mattress and a pile of discarded clothing. The overall impression is one of neglect and disrepair, a stark contrast to the vibrant life you left behind in the city. But it is yours, and you are determined to make it a home. casting shadow style ais-webz cabin, haunted, , fog, wherehouse, hoverlook, lake, spooky, creepy, Jason, abandoned, balloon, carousel, park, school,mask, hotel, mountain, buildings, claws, fear, dread, anguish

      epiCRealism XL

    • VXVI - LastFAME DMD2 (Realism) - epicrealismXL_vxviLastfameDMD2.safetensors
    • VXVI - LastFAME (Realism) - epicrealismXL_vxviLastfameRealism.safetensors
    • VX.1-FinalKiSS - epicrealismXL_vx1Finalkiss.safetensors
    • VXI-aBEAST - epicrealismXL_vxiAbeast.safetensors
    • VXV-ANewStory (Realism) - epicrealismXL_vxvAnewstoryRealism.safetensors
    • VXIV-EyeCandy (Realism) WiP - epicrealismXL_vxivEyecandyRealism.safetensors
    • VXIII-aB3AST - epicrealismXL_vxiiiAb3ast.safetensors
    • VXII-aBEA2T - epicrealismXL_vxiiAbea2t.safetensors
    • ⚡ VXI-aBEAST_4S_Lightning - epicrealismXL_VXIAbeast4SLightning.safetensors
    • V8-KiSS - epicrealismXL_v8Kiss.safetensors
    • VX-FinalKiSS - epicrealismXL_vxFinalkiss.safetensors
    • V9-UnFlux - epicrealismXL_v9Unflux.safetensors
    • V7-Final Destination - epicrealismXL_v7FinalDestination.safetensors
    • V6-Miracle VAE fix - epicrealismXL_v6MiracleVAEFix.safetensors
    • V6-Miracle - epicrealismXL_v6Miracle.safetensors
    • V5-Ultimate - epicrealismXL_v5Ultimate.safetensors
    • V4-PhotoReal - epicrealismXL_v4Photoreal.safetensors
    • V3 - Leo - epicrealismXL_v3Leo.safetensors
    • V2 WiP - epicrealismXL_v2Wip.safetensors
    • v1.1 - epicrealismXL_v11.safetensors
    • v1.0 - epicrealismXL_v10.safetensors

      epiCRealism

    • Natural Sin RC1 VAE - epicrealism_naturalSinRC1VAE.safetensors
    • Natural Sin - epicrealism_naturalSin.safetensors
    • pure Evolution V5 - epicrealism_pureEvolutionV5.safetensors
    • pure Evolution V5-inpainting - epicrealism_pureEvolutionV5-inpainting.safetensors
    • Natural Sin RC1 - epicrealism_naturalSinRC1.safetensors
    • pure Evolution V4 - epicrealism_pureEvolutionV4.safetensors
    • pure Evolution V3 - epicrealism_pureEvolutionV3.safetensors
    • pure Evolution V3.5 Colorfix - epicrealism_pureEvolutionV35.safetensors
    • pure Evolution V3-inpainting - epicrealism_pureEvolutionV3-inpainting.safetensors
    • pure Evolution V2 - epicrealism_pureEvolutionV2.safetensors
    • pure Evolution - epicrealism_pureEvolution.safetensors
    • pure Evolution-inpainting - epicrealism_pureEvolution-inpainting.safetensors
    • new Century - epicrealism_newCentury.safetensors
    • new Era - epicrealism_newEra.safetensors
    • new Age - epicrealism_newAge.safetensors
    • v1 - epicrealism_v1.safetensors
    • v1-inpainting - epicrealism_v1-inpainting.safetensors
    • v1-pix2pix - epicrealism_v1Pix2pix.safetensors